Category: The Netflix hoax

Correcting Netflix 24 Omitted - This Very Telling Knox Questioning By Dr Mignini #3

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Knox again failing to convince 18 months later in court


(Long post, click here to go straight to Comments.)

1. Status Of Things At The Time

This follows from Post 1 and Post 2.

Six weeks after Meredith had died - in Perugia’s first murder for many years - a lot of events had occurred. Guede had been caught and Patrick finally released, through no help from Knox. Many leads had been followed up. All evidence emerging pointed only to the three.

The Matteini and Riciarelli oversight courts had received and reviewed copious evidence directly from the investigators, and had decided that AK and RS could be a flight risk and risk to witnesses and should remain locked up. Contradictions in their statements were rife.

Stuck with massive evidence, the defenses increasingly narrowed to a two-pronged attack: (1) Blame Guede and (2) Blame the police. It was not really begun here, as you can see, but soon did and continued to crescendo for seven years.

This unusual interrogation invited by Knox could actually have helped to get her released, if it had helped to prove either of the above. But in this final hour it becomes blindingly obvious to all present that Knox has boxed herself in.

So this became in effect a dry run for her second interrogation at the 2009 trial. That also was initiated by Knox and beamed more narrowly to fight the charge that she had feloniously impugned Patrick for Meredith’s death.

That was a far more public fail. This interrogation in December 2007 was not really reported, because the court ruled to keep the media out, as it did many times (oh, you didn’t know that?!)

But in June 2009 Knox was widely watched in Italy on the video feed from the court, and for many or most open-minded Italians that was it, there was no going back, to them Knox simply permeated guilt.

Our report then from Florence  in part.   

I don’t believe her. It is interesting to see Amanda Knox being cool and self-confident, but testifying about how disturbed she became when the police became pushy during her interrogation. It doesn’t fit.

And it comes across as untrustworthy and contradictory that when asked about her drug use, she puts on a “schoolgirl”’ attitude: In effect “Sorry, daddy judge, I was bad, don’t punish me for being young”.  This seems definitely out of order with the rest of her performance.

“Performance” is the impression I get from viewing the segments shown from the court - a well-rehearsed performance. I suppose that the jury will wonder how this cool person can forget whether she has replied to a sms-message, how she can get so confused that she names Patrick, afterwards “is too afraid to speak to anyone but her mother”, and so on.

Our report then from Milan  in part.

As many of us were expecting, Amanda’s testimony has backfired. She came across not as confident but arrogant, not as sweet but testy, not as true but a fake who has memorized a script, an actress who is playing a part but not well enough to fool the public.

It is true that the Italian media and public opinion in general have not been very benign with Knox. But not for the reasons that the American media seem to want to push.  Let’s make it clear, Amanda Knox is not on trial because Italians are unaccustomed to or even “jealous” of her freedom and lifestyle”¦ The first time we read these “explanations” we found them quite laughable.

But for many or most Italians the initial amusement has now given way to a profound irritation. Amanda Knox’s lifestyle is shared by hundreds of thousands of Italian girls, who like partying and sex as much as she does - or even more - and they live a happy carefree life with no fear of being perceived as “bad girls.” They behave no differently from any other girl of the same age in America or in any other Western country.

   

2. The 17 December Interrogation Knox Requested (Part 3 Of 3)

Note: This is the third hour of three hours. The excellent translation is by Yummi, Catnip and Kristeva. The original in Italian is in the Wiki Case File here; it has been accessed nearly 4,000 times.

Transcript of Interview 17 December 2007: Statement of interview Of Ms Amanda Knox (cont)

[Ed note: start of overlap with Post #2]

PM Mignini: Well, but in the meanwhile, did two other young people arrive?

Knox: Yes after the police arrived, I led them into the house, because I thought they were those Raffaele had called, and I showed them that the door was locked and I showed them the window was broken and in the meanwhile Filomena and the boyfriend arrived”¦

Interpreter: Yes when the two police officers arrived, she thought they were those Raffaele had called and so she showed them”¦

Knox: And also two friends of hers [arrived]

Interpreter: “¦ Meredith’s locked room and Filomena’s room with the broken glass, with the broken window and then Filomena with her boyfriend arrived and also other two young people”¦

PM Mignini: Oh”¦ so you”¦ you entered, I ask you this once more, you didn’t enter Filomena’s room, did you enter the other rooms?

Knox: It’s not that I went to look around, but I opened Laura’s door, that was all ok, there the bed was done up. There was the computer, so it was all ok.

Interpreter: She opened Laura’s room and she saw it was all in order

PM Mignini: Did you enter the room?

Knox: Maybe one step but I didn’t go inside

Interpreter: Maybe she made a step but she didn’t go around much

PM Mignini: And in which other”¦ did you enter other rooms?

Knox: I entered my room, and I tried to open the door of Meredith’s room

[Ed note: end of overlap with Post #2]

[73]

Interpreter: She entered her room, and tried to enter Meredith’s room but it was locked

PM Mignini: And so what did you”¦ what happened at that point?

Knox: After Filomena arrived, she handled the talking with the police, and I stayed in the kitchen with Raffaele

Interpreter: After Filomena arrived, it was Filomena talking with the two officers and Amanda and Raffaele remained in the kitchen

PM Mignini: And so did you two see”¦ what happened next? You two, did you see?

Knox: I know the police opened Meredith’s room

Interpreter: She knows the police opened Meredith’s room

PM Mignini: You know that because they told you?

Knox: No, no, I was in the kitchen, and from there I could see they were beside Meredith’s room, but I was not there, I was in the kitchen

Interpreter: No, no, she saw that from the kitchen

PM Mignini: But you, what did you see of Meredith’s room?

Knox: I did not see inside the room

PM Mignini: You didn’t see anything”¦

Interpreter: She didn’t see down into the inside of the room

PM Mignini: So did you see the scene? Neither you nor Raffaele?

Interpreter: No

Knox: No we didn’t see

PM Mignini: Neither of you two, when they opened it, where were you?

Knox: In the kitchen

[74]

Interpreter: In the kitchen

PM Mignini: So you were a few meters away

Knox: Yes, yes

Interpreter: Yes

PM Mignini: In what area of the kitchen were you staying?

Knox: more or less near the entrance

Interpreter: In the.. near the [outside] entrance of the kitchen”¦

PM Mignini: About the entrance, you mean the house entrance, just beyond”¦ so you were”¦

Knox: Yes we were inside

Interpreter: Yes

PM Mignini: When they entered, then was the door immediately closed again?

Interpreter: With the officers?

PM Mignini: Meredith’s [room].

Knox: I don’t know, they just told me to get out of the house

Interpreter: She doesn’t know, because they told her to get out of the house

PM Mignini: The Carabinieri, at what time did they arrive? Did [some people] wearing black uniforms come? Other police officers?

Knox: The Carabinieri came”¦ at that point I was very frightened”¦ I don’t remember when they arrived, I’m sure that was after, when I went out, and I sat on the ground and I couldn’t understand what was going on”¦

Interpreter: The Carabinieri arrived afterwards when I was outside

PM Mignini: How long after the arrival of the two plain-clothed police officers?

[75]

Knox: I’ve already said in these instances it’s too difficult to define the time, because I only remember Filomena saying “A foot! A foot!” We were pushed out, there were police officers outside and I sat on the ground, I couldn’t”¦ I was under shock and couldn’t understand what happened”¦

Interpreter: What Amande remembers is that after Meredith’s door was opened, Filomena was screaming “A foot! A foot!” and Amanda was told to get out of the house and it’s hard to explain at this point, to tell if she was frightened..

PM MIgnini: When did the Carabinieri come? When? After the body had been discovered?

Knox: I saw the Carabinieri when I went out, I don’t know when they came”¦

Interpreter: She saw the Carabinieri when she got out of the house, she doesn’t know when they came

PM MIgnini: But the Carabinieri did not enter? You did not see them inside the house.

Knox: No I don’t think so”¦

Interpreter: No

PM MIgnini: So you saw them when you went out, so was that after a long time since the arrival of the Postal Police? After”¦ ten minutes, fifteen minutes?

Knox: Yes, maybe after some ten minutes, I was still in shock and I was scared so it’s difficult to tell at what time the various things happened”¦

Interpreter: It’s difficult for her to say how much time had passed because she was in shock but something like ten minutes must have passed

PM MIgnini: Oh well, I wanted to know this: did Raffaele tell you about what was in the room?

[76]

Knox: Before, he didn’t know himself what was inside the room

Interpreter: Before, he didn’t even know himself

Knox: But after, when they were all talking”¦ he found out yes”¦ After the police was there and we were all outside together I don’t know who told him but it must have been Filomena or I don’t know who else”¦ but someone explained him that it was not just a foot in the room but the body”¦ but what they saw of it was the foot”¦ So he explained to me that the body was in the room, but you could only see the foot.

Interpreter: When she was outside with Raffaele, to [sic] him, he understood that it was not just a foot but it was the body that had been found

PM MIgnini: But he told you, did he tell you textually “there was a girl’s body inside the wardrobe covered with a sheet, and the only thing you could see was a foot”. This, did Raffaele tell it to you?

(the interpreter, at this point translates the question asked by PM MIgnini this way: “did Raffaele tell you that in the room there was the body covered by a cover?)

Knox: Yes

Lawyer: She [the interpreter] did not say: in the wardrobe?

PM MIgnini: These are your statements. You declared on December 2”¦. on November 2. “¦ On November 2. 2007 at the first questioning when you were heard, the very first one, a few hours after the discovery of the body, you told, you said Raffaele told you that “in the wardrobe, there was the body of a girl covered by a sheet and the only thing you could see was a foot”. Is this true, that Raffaele told you this?

Lawyer: Please judge, could you read it to us?

[77]

PM MIgnini: So “in the wardrobe..” Excuse me, please translate this word by word to her”¦ “in the wardrobe there was the body of a girl covered with a sheet and the only thing that you could see was a foot”

Knox: As Raffaele said

Interpreter: This is as Raffaele told it to Amanda”¦

PM MIgnini: Yes, she said this in the first [2 November] questioning.

Knox: Yes, apparently, it seemed to me, he told me the body was in the wardrobe”¦ it’s this that he told me”¦ obviously he did not see himself inside the room, it was things that were told to him by someone else”¦

Interpreter: Yes, on November 2. she said so because it’s what Raffaele told her. Because not even what he thought he understood [sic “neanche quello che secondo lui ha capito”]... Since he did not see”¦ he did not see inside the room”¦. Raffaele told her that way

PM MIgnini: These are textual, precise words so? “¦ I may read them again to you”¦ You confirmed”¦

Lawyer: She confirmed that Raffaele heard other people saying that maybe this was the version, and he referred this version, referring to something he heard

PM MIgnini: I read them again, I can read them again”¦.

Lawyer: We’ve read it, you explained to us

PM MIgnini: So on November 2. you say, that means the first questioning at 15: 30, this is the first one, the most aseptic one let’s say, so: “I learned in that moment from my boyfriend that inside Meredith’s room in the wardrobe there was the body of a girl covered with a sheet and the only thing you could see was a foot”.

Knox: Yes

Interpreter: Yes

[76]

PM MIgnini: You confirm that he spoke to you this way

Knox: Yes

Interpreter: Yes

Lawyer: She pointed out to the previous question, the source from which Raffaele had this information

Interpreter: Raffaele did not see, so it was what it seemed to him

Lawyer: Raffaele collected this information from other people

Interpreter: From the people around, Carabinieri and other young people

PM MIgnini: But excuse me, excuse me, did Raffaele tell you this, did he tell you “this one told me, that one told me”, or instead Raffaele limited himself to just telling you this? What did Raffaele tell you?

Knox: I think it was Filomena’s friends who told him

Interpreter: She thinks it was Filomena’s [male] friend who told Raffaele

PM MIgnini: You think”¦

Knox: I don’t know who told him

PM MIgnini: Excuse me”¦

Interpreter: Yes she thinks but doesn’t know

PM MIgnini: Excuse me, the question was as follows, here’s the question”¦ Are you ready? “¦ So, Raffaele comes to you”¦

Knox: Yes

PM MIgnini: And what does he say? “There is the body of a girl in the wardrobe, covered with a sheet, and you can only see a foot”? Or did he say “someone told me that there is the body of a girl” and said who [told him]?

[79]

Knox: I understand”¦ I understand”¦ He said precisely “Apparently there is a girl, there is the body of a girl, in the wardrobe”¦ But the only thing that you can see is her foot”

Interpreter: He did not say who told him, he just said “it seems like”¦” and “apparently”¦”

PM MIgnini: He said so: “It seems like”¦” ?

Interpreter: Yes

PM MIgnini: The body is in the wardrobe covered with a sheet, and you only see a foot

Interpreter: Yes it seems like they say apparently

PM MIgnini: Oh, then when did you know, you, how Meredith died?

Lawyer: How Meredith was dead?

PM MIgnini: That she was dead, and about how she died

Knox: The police told me

PM MIgnini: When did they tell you?

Knox: At the beginning they didn’t tell us if was Meredith or not, Filomena said “Oh no, Meredith!” so I imagined it was her but I didn’t know”¦ So at the Questura when they were already questioning they told me then that it was Meredith. I don’t remember the exact moment when they told me but it was at the Questura”¦

Interpreter: She actually learned this when she was at the Questura, later, before she learned about the body of a girl and then she heard Filomena saying “Oh my god, its Meredith!” and hence”¦

[80]

PM Mignini: And about the way she was killed, when did you come to know that? Excuse me, I’ll give you an example, she could have been shot with a gun, with a stab, poisoned”¦ I mean”¦

Knox: I didn’t know how she was killed”¦ I thought that there was this foot in the room but didn’t know anything else”¦ The police…

Interpreter: The police told her

PM : When? Who told you from the police?

Knox: I don’t remember

Interpreter: She doesn’t remember

Lawyer: No, but she also said that she doesn’t know how she was killed”¦

PM Mignini: This is important: therefore you don’t know how she was killed?

Knox: No

Interpreter: No, she didn’t know

PM Mignini: You didn’t know how she was killed, what was it the police telling you?

Knox: The police told me that her throat had been cut”¦ and from what they told me I had pictured something horrible”¦

Interpreter: The police told her that her throat had been cut

PM Mignini: Who told you from the police?

Knox: I don’t remember

Interpreter: Eh, she doesn’t know who

PM Mignini: Well, a man, a woman”¦?

Knox: I don’t remember

Interpreter: I don’t remember

[81]

PM Mignini : And when were you told?

Knox: When I was at the questura, but I don’t remember. When they interrogated me the first time I remember that they said “we don’t even know if it’s Meredith” I don’t remember when they told me, I only remember that the police told me when I was in the Questura because I didn’t know what had happened”¦

Interpreter: She only remembers that she was in the questura when she came to know how

PM Mignini: At what time?

Knox: I don’t remember”¦

Interpreter: I don’t remember.

PM Mignini: After having talked, after you were heard at the Questura, did you go away or did you wait?

Knox: The first day I was questioned I was there for hours”¦ maybe 14”¦

Interpreter: The first time it seems to her that she had been there a very long time, 14 hours

PM Mignini: But questioned

Knox: No, maybe they questioned me for 6 hours but I stayed at the Questura a very long time”¦

Interpreter: It must have been more or less 6 hours that Amanda was questioned but staying in the Questura must have been about”¦

PM Mignini: But was there”¦ were you in the waiting room?

Knox: Yes the whole time together with everyone else we were there in the waiting room”¦

Interpreter Yes, yes together with the other ones

PM Mignini: And who were the other people?

[82]

Knox: The housemates, and later others arrived”¦ After quite a long time our neighbors arrived, after a while some people Meredith knew arrived, her friends

Interpreter: Her housemates and then other people who arrived later, the neighbors after a while”¦ and after, Meredith’s friends arrived, the people Meredith knew”¦

PM Mignini: But did you speak to them? Did you exchange any confidences?

Knox: Yes we were all there and I said “it appears that Meredith’s body was found in a closet”

PM Mignini: Who said that?

Knox: I remember talking to her friends and I remember telling them that it appeared the body had been found inside a closet”¦

Interpreter: She remembers having said it to Meredith’s friends

PM Mignini: But friends, who? You must tell us the name”¦ a name even just the name”¦

Knox: I remember having talked to Sophie”¦ But I don’t know the name of the other friends

PM Mignini: A certain Natalie? From London

Knox: The name sounds familiar but I don’t think I could recognize her face

Interpreter: She can’t tie the name to her face but”¦

PM Mignini: And what were you saying? What kind of comments were you making?

[83]

Knox: I told them what I knew, I told them that I had arrived home and found the door open, and told them what I knew”¦

Interpreter: She told what she knew that she had arrived home and found the door open

PM Mignini: Did you ever see, did you see in those moments the wound on Meredith’s neck?

Interpreter: Up to the moment?

PM Mignini: In that moment.

Knox: I never saw Meredith dead, I never saw her dead body”¦

Interpreter: No, she never saw her dead

PM Mignini: Ok, but was there anyone that night who said, anyone who said that she had died quickly? Did someone else say that she must have suffered for a long time”¦ was there anyone who said this?

Knox: Nobody of the people I talked to knew what had happened”¦

Interpreter: No, none of the people she talked to said something”¦ knew what had happened

PM Mignini: Did you come to know, did you ever come to know, and if yes, when, in what moment, Meredith had died”¦ that is, if Meredith’s death was immediate or if it was prolonged, if there was a death agony”¦ if yes, when did you find that out?

Knox: The only time when I heard of this was when Luciano [Ghirga] was describing the wound and how deep it was”¦ What kind of wound it was and he said “maybe she died slowly because no big vein had been struck”

Interpreter: So, the first time you had heard talking about the wound and how she died”¦ when was it with Luciano?

Lawyer: The morning of the 8th

[84]

PM Mignini: So, after the 6th…

Lawyer: The morning of the 8th

PM Mignini: The morning of November 8th

Lawyer: After the arrest validation [hearing]

Interpreter: And there she found out that no vital vein was directly struck and therefore”¦

PM Mignini: You say that she came to know on the 8th from the lawyer.

Lawyer: From the lawyers.

PM Mignini: From the lawyers, sorry.

Lawyer: We always came all together

PM Mignini: Either one or the other [of you] could have told her”¦ so”¦ [talking to Knox] I formally notify [for the record, a contradiction] that an Erasmus student and a colleague of this student, they said, on this past December 10th that on the night of the second in the Questura, while having”¦ a girl called Natalie, I won’t tell you her last name but she”¦ she was a friend of Meredith, she had noticed that you were talking at length with Sollecito, and at a certain point, in response to a comment made by one of these girls that they hoped Meredith had died without suffering, you instead said ” with those kind of wounds the death would not have come fast and that therefore Meredith must have died after a certain period of time”. I’ll reread it to you if you’d like, ok?

Knox: The police told me that her throat was cut, and what I know about that topic, I mean when they cut your throat, it is terrible and I heard that it’s a horrible way to die”¦

Interpreter: Yes the police had told her that Meredith’s throat was cut and what Amanda knew is that it’s an agonizing way to die”¦

[85]

PM Mignini: But this is something we found out after, we too found it out only later”¦ not right away”¦

Knox: The police told me that her throat had been cut.

Interpreter: The police had told her that her throat had been cut.

PM Mignini: Who from the police? Excuse me I’d like to know”¦ cutting the neck, it can happen in many ways, vital veins can be struck and might also not be struck, therefore one thing is about cutting the throat, and another is about the way how to cut it and therefore make it so that the death occurs instantaneously, or cause a death with agony. On the evening of the second, if it’s true, according to these results, on the evening of the second you knew that, with those kind of wounds, she must have suffered an agony”¦ and the police didn’t know that”¦

Knox: I thought that a death by cutting the throat was always slow and terrible”¦

PM Mignini: The autopsy was made on the fourth, two days later

Interpreter: What she thought was that cutting the throat was always a slow death in general

PM Mignini: It’s not like that”¦not necessarily”¦ anyway, who from the police told you about the neck wound? Tell us.

Knox: It was probably the interpreter”¦the first interpreter was the person I talked to the most”¦ all information I had came more or less from him”¦

Interpreter: Probably the translator/interpreter

PM Mignini: Therefore, therefore he told you while you were being heard”¦

Lawyer: She was in there 12 hours

[86]

Knox: When I was in there I was talking to the police and they told me that her throat was cut”¦ the whole conversation was between me and the interpreter. It was him who must have told me, a long time has passed but I think it was like that”¦

Interpreter: Directly from the interpreter, indirectly from the police

PM Mignini: So [it was] when you were questioned. Not before.

Interpreter: No, before she was questioned she didn’t know how she was”¦

Knox: No, when I was home the way she died”¦

PM Mignini: Before being questioned”¦ you were questioned until 15:30, until what time have you been heard? You were being heard since 15:30, until what time were you being heard?

Knox: I don’t know it was a long questioning”¦

Lawyer: She had been heard in the presence of an interpreter, maybe the interpreter”¦

PM Mignini: It was D’Astolto”¦ Fabio D’Astolto

Lawyer: The interpreter was present from the beginning or only from the questioning onwards?

PM Mignini: Yes, well he was a policeman acting as an interpreter, translating. Fabio D’Astolto. Assistant D’Astolto. When and how, in what terms did D’Astolto express himself, this translator what did he tell you?

Lawyer: When?

PM Mignini: When and what did he tell you

Knox: I don’t remember when but I asked him how she died

Interpreter: She doesn’t remember when but she asked him how she was killed”¦

PM Mignini: And he pointed out to you the wound on the neck. The wound on the neck and that’s all. Fine. This translator.

[87]

Lawyer: [to the Prosecutor] You referred to an Erasmus student who had said that on December 10th.  Ms. Natalie would have said this.

PM Mignini: Yes

Lawyer: And is the Erasmus student indicated [in the records]?

PM Mignini: It is indicated

Lawyer: Do we have a name?

PM Mignini: Capruzzi, Filippo and the other one is a certain, a colleague of his, Chiara, Maioli.

Lawyer: So it was two Erasmus students

PM Mignini: Two Erasmus students who confirmed this confidentiality from this English girl. Some”¦ this is the December 10th hearing report”¦ ok

Lawyer G. She clarified if she had talked with the interpreter, with someone before”¦

Lawyer C. We have clarified that the interpreter was not an interpreter but was a police officer who speaks English and that apparently was present from the beginning and therefore at this point…

PM Mignini: Wait.. one moment”¦ did you, did you”¦ did you see this person who was translating at the house?

Knox: No

Interpreter: No

PM Mignini: Perfect

Lawyer: She was approximately 12 hours in the Questura and at some time she heard the first… let’s call it questioning but it was a long time, and before the questioning she heard of this wound on the neck, is that right?

[88]

PM Mignini: During the questioning, you said before, during the questioning so much as this policeman translator was present, therefore”¦ no I’m very sorry, who did you hear this from? The translator? The policeman

Interpreter: About the wound? The first time?

PM Mignini: The wound

Knox: I think so

Knox: The first time?

PM Mignini: Yeah

Interpreter: I think the interpreter the first time

PM Mignini: And it would be this D’Astolto”¦ so this D’Astolto told you, please excuse me you told me this “it was D’Astolto” now”¦ therefore this D’Astolto told you this during the course of the questioning?

Knox: I think so”¦

Interpreter: Yes, she thinks so

PM Mignini: Ok, one more thing, so the”¦ you did, the morning of the”¦ actually no, the night between the fifth and the sixth of November, you did, let’s say partially modify your previous declarations, so then you modified your previous declarations and you made a specific accusation against Patrick Dia Lumumba known as Patrick. You said that you were supposed to meet with Patrick, that you met with Patrick at the basketball court of Piazza Grimana, that you went to Meredith’s house, to your house, and then he had sex with Meredith, then you heard a scream and you accused him even if in terms you say “confusedly” of killing Meredith. Isn’t that so? Why did you make this accusation? “¦ Now remember, I was hearing you, I was present, you were crying, you were

[89]

profoundly upset, and you were as if relieved when you made this statement.

Lawyer: Maybe she was stressed?

PM Mignini: Well, stressed or not, in any case she was very   she made these declarations

Lawyer: You asked her a question “Why did you make these declarations”?

PM Mignini: Well I also have to”¦

Lawyer: Eh these are opinions

PM Mignini: I am saying that you made a declaration not in a detached way, in other words in a very involved manner, why did you make these statements?

Knox: I was scared, I was confused, it had been hours that the police that I thought were protecting me, and instead they were putting me under pressure and were threatening me.

Interpreter: She was scared, she was confused, it had been hours that the police were threatening and pressuring her.

PM Mignini: Yes, tell me, go on

Knox: The reason why I thought of Patrick was because the police were yelling at me about Patrick”¦ they kept saying about this message, that I had sent a message to Patrick”¦

Interpreter: The reason why she thought of Patrick was because the police was asking her who was this Patrick to whom she sent, with whom there was this exchange of messages, they were asking her insistently.

Knox: That was the worse experience of my life

Interpreter: The worse experience of her life

[90]

Knox: I had never been more confused than then

Interpreter: She had been so confused or scared

PM Mignini: But in the following memoriale [spontaneous statement around noon 6 November] that you wrote before going to prison, basically you don’t retract this accusation. Even if in terms, still in terms let’s say of uncertainty, between dream and reality, in other words in such a way “¦ still you didn’t “¦ I believe that in this memoriale you say “I still see this image in front of me” and then you see yourself while hearing it, you say that in that first memoriale you wrote “you hear Meredith’s screams and you put your hands over your ears”. Why do you have this image? Your ears”¦ the scream”¦ it’s not like it’s changing much after all isn’t that so?

Lawyer: No, but she says she was very confused”¦ she was under a lot of stress

PM Mignini: Yes, but why does it basically remain the same, this one”¦

Knox: Yes, I imagined these things”¦

Interpreter: Imagined this scene

Knox: I was so scared and confused

Interpreter: I was so scared and confused

Knox: that I tried to imagine what could have happened. The police told me that I was probably not remembering well. So I thought of what could be another answer and therefore I imagined it”¦

Interpreter: She tried to think of what could have happened since the police was saying that probably she didn’t remember well. And therefore she imagined this scene, trying to think how it could have happened

PM Mignini: Well, you, I just tell you, I tell you only that this Dia Lumumba, this Patrick, only comes up in your statements, he wasn’t, he has never been indicated previously in the slightest, I mean why did you, why did you almost feel…

[91]

...forced to, so you say, to give this name? While this name had never been, you had never mentioned him previously”¦ in the statements of the 2nd, the 3rd”¦. Why only at a certain point di this Patrick pop up? I’m telling you, do you realize”¦ excuse me, eh? “¦ excuse me”¦.

Knox: They were telling me “why did you send this message to Patrick, this message to Patrick!”

Interpreter: Because they were always insisting about this message to Patrick and because”¦

PM Mignini: Well because there’s the message so [it’s] the message but it’s just that, it’s not that there was an attitude, I mean it’s not like there was any reference to a message according to what emerges from the statements. In fact there was a message that you”¦ since there had been an exchange of messages right before the time of the murder between you and this person it’s normal that the police would want to know why, what this message meant, this”¦ therefore it’s not something”¦ why did you threw yourself in this kind of”¦ ? While you had, you had the possibility to”¦?

Knox: Because I thought that it could have been true

Interpreter: Because she thought it could have been true”¦

PM Mignini: It could have been true?

Lawyer: Why?

Knox: When I was there, I was confused”¦

PM Mignini: [to the lawyers, ed.] No, no, excuse me, at this point no, I’m sorry. Not the lawyers. The defense can intervene against me but against the person investigated…?

Lawyer Ghirga: But there was no question”¦ Prosecutor there was no question

PM Mignini: It could be true. What does it mean?

[92]

Lawyer Ghirga: There was no question

PM Mignini: What? I am asking the question.

Lawyer Ghirga: Then ask it.

PM Mignini: What does it mean, how “˜could it be true’? What?

Lawyer Ghirga: What could be true?

PM Mignini: Excuse me, lawyer

Lawyer Ghirga: It’s like the phone call with her parents

PM Mignini: What could be true

Lawyer Ghirga: It’s like the phone call with her parents

PM Mignini: “¦Lawyer Ghirga”¦ what”¦?

Lawyer Ghirga: [seems to Knox] What do you want to say then? Let’s ask her”¦

PM Mignini: Excuse me, I am asking the questions, I am asking them now

Lawyer Ghirga Yes of course

PM Mignini: Then after you can”¦ I am asking her”¦

Lawyer Ghirga: Yes of course, we will ask them too”¦

PM Mignini: Lawyer”¦ she is saying “it could have been true””¦

Lawyer: What?

PM Mignini: “it could have been true”. She was telling me why did she accuse Lumumba of this fact? “It could have been true” is what she answered. Gentlemen, here”¦

Knox: I said it because I imagined it and I thought that it could have been true”¦

Interpreter: She said because she had imagined it and therefore she thought it could have been true.

[93]

PM Mignini: Look, listen”¦ listen, why did you imagine it?

Knox Why?... Because I was stressed

PM Mignini: Why didn’t you imagine”¦

Lawyer: No she was answering

PM Mignini: Yes; what did you want to say?

Interpreter: Because she was under stress”¦

Knox: Knox: Why? I was stressed, I was scared, it was after long hours in the middle of the night, I was innocent and they were telling me that I was guilty

Interpreter: Because they were saying that she was guilty

PM Mignini: Who was saying it? Guilty who’”¦.

Interpreter: After hours”¦

Lawyer: Excuse me, prosecutor, if we can correctly compile this translation, these words that were said in English at the right moment

PM Mignini: She is crying, we acknowledge, I’m sorry, we acknowledge that the”¦ investigated is crying.

Interpreter: Because she was stressed, scared under pressure after many hours, she was”¦ in the middle of the night, they had reached the middle of the night and because they were saying that Amanda was guilty.

PM Mignini: Who was saying that she was guilty?

Interpreter: The police

Lawyer: The police was accusing her

Interpreter: The police was accusing Amanda

[94]

PM Mignini: Why”¦ why did you accuse Lumumba and not others? How many people did you know who could”¦

Knox: Because they were yelling Patrick’s name”¦

Interpreter: She accused Patrick and not others because they were always talking about Patrick, suggesting”¦

PM Mignini: The police, the police couldn’t suggest…

Interpreter: Yelling Patrick’s name

PM Mignini: Excuse me, what was the police saying?

Interpreter: What did the police tell you?

Knox: The police were telling me that “˜we know that you were at the house, we know that you left the house’, and the moment before I said Patrick’s name they put.. someone was showing me the message that I had sent on the phone

Interpreter: The police said that they knew that Amanda was inside the house, and when she went in, when she went out, that she was inside the house, and while they were asking her this someone showed her Patrick’s message on the phone.

PM Mignini: But this is”¦ But this is normal. You”¦ there was this message”¦ I’m sorry, I’m very sorry. There’s a murder here. There’s a girl whose throat is slit, there was a phone number, there was a call that had been made, you were being heard. There was a call that had been made to you on the night of the murder from this person, you replied to this call in a way that could have been interpreted, according to the meaning in Italian “will see you”. Eh, so what is more normal than to insist? The police are doing their job. They insist to know, what did that mean, what was the, what relationship was there between you and Lumumba. This is normal.

[95]

Knox: I didn’t understand why they were insisting that I was lying”¦ they kept telling me that I was lying”¦

Interpreter: She didn’t understand why they were insisting that she was lying.

PM Mignini: Why are you”¦?

Interpreter: The police was insisting that she was lying.

PM Mignini: But why did you accuse, then if it was like this….  Again you are, you are crying again, for a long while since you started, I put in the record, I put in the record that”¦ it’s been ten minutes that you have been crying. Why did you accuse a person that, today, you’re telling us he is innocent, but earlier you just told us “it could be true” what does “it could be true” mean? You have told me “it could be true”.

Lawyer: The subject is missing

PM Mignini: No the subject is there, because I asked the question. Why did you accuse Lumumba?

Lawyer: Can we suspend a moment please?

PM Mignini: What reason?

Knox: It means that in the moment when I told Patrick’s name, I thought that it could have been true.

Interpreter: In the moment in which she said Patrick’s name, in that moment, she thought it could have been true.

Lawyer Ghirga: We ask for a suspension”¦ she is calm, you say she is crying, and we think she’s not.

PM Mignini: I put that in the record it because I could see the tears, she was crying and I could hear her too.

[96]

Lawyer: It was not ten minutes long

PM Mignini: Well, even more, maybe

Lawyer: maybe, no less

PM Mignini: Let’s interrupt, break off.

Lawyer: You asked her six times”¦

PM Mignini: For Heaven’s sake, let’s interrupt, break off.

(interruption)

[from this point on Amanda declares her right to remain silent]

PM Mignini: So, at 15:12 lawyer Luciano Ghirga resumes the interrogation

Lawyer Ghirga: In the name of the defensive collegium we submit a reason to confer personally, privately, we mean alone together with our client, for a time not longer than ten minutes.

PM Mignini: So, the Public Prosecutor is pointing out that the interrogation had already been suspended and it’s 15: 13 now, pointing out that the interrogation was suspended several times, and the last time for, how long? Ten minutes on request of the defence, and the defence will be allowed to fully have counsel with the person under investigation at the end of the interrogation. [The Public Prosecutor] orders to proceed, orders to go forward with the investigation procedure. So now I would like”¦

Lawyer Ghirga: If you may, ask to the suspect, to the person under investigation, whether she intends to go on or to invoke her right not to answer”¦?

PM Mignini: This is a”¦ it’s a”¦ it’s a”¦ she decided to answer questions at the beginning. Now if she decides to make a statement where she says “I don’t want to answer any more” she’ll be the one who says it, and it’s not that I must ask now, that question was done at the beginning of the interrogation. If now she wants to say”¦

Knox: I prefer not to answer any more”¦

[97]

Lawyer Ghirga: What did she say?

Interpreter: She doesn’t want to answer anymore.

PM Mignini: So, at this point, at 15: 15, on a question asked by the defence lawyers, about whether the person under investigation intends to go on answering or not”¦

Lawyer Ghirga: To your questions

PM Mignini: To a question by lawyer Ghirga”¦ yes, well, Lawyer Ghirga asked her that

Lawyer: He didn’t first ask the question

Lawyer Ghirga: But what question did I ask?

Lawyer: We told you to ask her…

PM Mignini: Yes, you asked me, and I did follow the request. But”¦

Lawyer Ghirga: She made a declaration, and we took note, unfortunately, about forbidden suggestions”¦ but on what request”¦?

PM Mignini: Now at this point, at 15: 15 the defence lawyers… Let’s put like this, the defence lawyers ask this Prosecutor about whether he intends to ask the person under investigation if she intends to go on answering questions, but then, after my decision, Lawyer Ghirga said”¦

Lawyer Ghirga: Who said? You said

PM Mignini: You asked her, I put in the record what happened, it’s recorded anyway, this is what I perceived you asked her, and she answered “I do not intend to answer”, she said, and then the interpreter…

Lawyer Ghirga: I asked whether she intended to make a statement, and she made a statement

PM Mignini: You indicated that to her, it changes nothing, doesn’t change”¦ I must only put in the record what happened. The public prosecutor points out that…

[98]

...the warning about the right not to answer was explained to the person under investigation at the beginning of the interrogation, as provided by the Code, and that same [person under investigation] declared she wanted to answer. It is not possible now to invoke the duty to inform the suspect about her right, because such requirement has been already fulfilled. Anyway the person under investigation can, if she decides to, declare that she doesn’t want to answer any more. Such option has been shown to the person under investigation by lawyer Ghirga.

Lawyer: ...by the defence lawyers

PM Mignini: By the defence lawyers, to the person under investigation. What do you want to do?

Lawyer: What do you mean by “It was shown?”

PM Mignini: It was shown, because you said”¦ I need to put in the record what happened. The lawyer… Facing my warrant which I described, the notice was provided at the beginning of the interrogation as the code requires. She said “I want to answer, I do not intend to invoke my right not to answer”. That answer had been given already, I informed her, and she answered. Now to this, at this point, however, I said nothing prevents her from wanting, from declaring “at this point I do not intend to answer any more”. I put it in the record and I don’t ask why, at that point, at that point.

Lawyer: You should not put in the record “the defence lawyers have shown”¦”

PM Mignini: “at that point”

Lawyer: We did not show anything, we asked to be allowed to, well”¦ and you said no.

PM Mignini: So”¦ lawyer, lawyer?

Lawyer: And you said no, and we didn’t have the possibility to show her…

[99]

PM Mignini: Lawyer Ghirga”¦ Lawyer Ghirga”¦

Lawyer: that she might invoke her right to not answer. It’s not that it’s we who’ve shown this possibility this is what I want to explain”¦

PM Mignini: Lawyer Ghirga told her something, so…?

Lawyer Ghirga: No, no, I only said, if you could give us a ten minutes suspension

PM Mignini: You told her something, now come on”¦ I need to put that on record

Lawyer Ghirga: what did I say”¦

PM Mignini: You have shown, I don’t know if the other lawyer did too, you told, Lawyer Ghirga, you told the person under investigation about… You said, if you can, if I remember correctly,  we’ll hear her again”¦

Lawyer Costa: It was me who told her, Mr. Prosecutor

PM Mignini: So I understood Lawyer Ghirga… Lawyer Giancarlo Costa declares he explained that, I didn’t say anything else

Lawyer Costa: ... To Ms. Amanda Knox to use her right to invoke her right not to answer

PM Mignini: ... And she herself declares so, she is supposed to declare what she wants

Lawyer: She has already said that

PM Mignini: Let’s repeat it since with this superimposition of voices”¦ the interpreter will translate faithfully word-by-word what you say.

Knox: At this point I don’t want to answer any more

Interpreter: At this point she doesn’t want to answer any more

PM Mignini: So “at this point I don’t want to answer any more”. We put on record that the current transcript was recorded entirely.

[100]

Lawyer Costa: Mr Public Prosecutor, we lawyers may renounce to our own time terms of deposit if Your Honour would give us a copy

PM Mignini: Yes, no problem”¦ at 15: 22. The parties demand a transcription, I mean the defence lawyers request the transcription of the recording.


Correcting Netflix 25 Omitted - This Very Telling Knox Questioning By Dr Mignini #4

Posted by Our Main Posters



Knox looks sadly at dad. She knows he knows, all parents did, and so stalked Kercher family.


(Long post, click here to go straight to Comments.)

1. Status Of Things At The Time

This follows from Post 1 and Post 2 and Post 3.

In this post we jump a year and a half to where Dr Mignini picks up the threads at trial.

As we’ll illustrate in other posts soon, Netflix deliberately incited a vast wave of hate and contempt and defamatory accusations against Dr Mignini, by way of omitting ALL of the careful steps he and others had taken to build an exceptionally strong case ALL of which Netflix omitted too.

The prosecution component of the trial in the first half of 2009 was almost a masterclass in how such things should be done. Evidence point after evidence point after evidence point was introduced with only perfunctory challenges by the defense. Netflix didnt tell you that?!

All events that took place in the Perugia central police station after Meredith’s death took day after day for those many present to describe. Netflix didnt tell you that?!

The defense had almost no come-back and was generally anxious to move along. Knox and Sollecito haplessly sat through all of this. They knew what they were up against. Netflix didnt tell you that?!

The defense portion of the trial occupied only a few trial days and usually not full days at that, as they had so little to present. Netflix didnt tell you that?! Then the prosecutions summations hammered the bleak facts home. Netflix didnt tell you that?!

Knox was on the stand for two full days. She herself did her the most harm - those listening in Italian could see how rarely she told the truth or even made sense. Netflix didnt tell you that?!

She had zero explanation for why she fingered Patrick Lumumba and left him desperately scared in jail for about two weeks. Netflix didnt tell you that?!

Dr Mignini didnt even speak until Knox’s second day.

The first day consisted of Lumumba’s lawyer Pacelli giving Knox a very hard time. Then Knox’s lawyers labored for hour after hour to bring out the human in her and to make her malicious allegations a daffy oversight.

Three things to look for here: (1) Was Amanda Knox making things up? (2) Was Dr Mignini making things up? (3) In finding Knox guilty of calunnia for which she served three years, was the jury observing all of this somehow being duped?

2. Amanda Knox Trial Testimony—Saturday, June 13 2009

Transcription of the full two days from tapes and translation was by Thoughtful for our Wiki case file.

Below GCM is Judge Massei, GM is Dr Giuliano Mignini, AK is Amanda Knox, and CDV is Knox lawyer Carlo Dalla Vedova.

GCM:
If the public could politely cease the noise and comments…yes…we could begin the audience. [He recalls: trial of Amanda Knox and Raffaele Sollecito, all the names of lawyers involved, defense and prosecution, civil plaintiffs]. Please state your identity again.
AK:
Amanda Knox, born July 9, 1987, in Seattle, Washington, USA.
GCM:
Please go ahead, pubblico ministero.
GM:
All right, Miss Knox, can you tell us about when you first met Raffaele Sollecito?
AK:
It was at a concert at the Universita per Stranieri, I think it was on Oct 25.
GM:
October 25?
AK:
So I’ve understood [odd remark: meaning “so I’ve been told?”]
GM:
So it was just about a week before the facts, more or less. Now, on the afternoon and evening of Oct 31, can you tell us what you did?
AK:
In the evening?
GM:
Afternoon and evening.
AK:
So, in the afternoon, I remember that I met a friend for coffee, my friend Spiros. We had coffee in the center, and then in the street when I was going back to meet Raffaele, I was still with him and I met someone I had gotten to know at “Le Chic”, who said “We’ll see each other later at Le Chic”...
GM:
You said “We’ll see each other later?”
AK:
Yes, yes.
GM:
To whom? To Raffaele’s friend?
AK:
No, no. It was my friend, that I had gotten to know in a bar, a cafe that also had internet service, and then, okay. What happened next? [Long pause with sound ‘ummmmm’, ‘hmmm’.] Did I go home? I can’t remember.
GM:
You can’t remember.
AK:
And then, for Halloween, I know I went to Le Chic first, and then after I was there for a little while, I again met Spiros, outside the Merlin, and we went to a place with a bunch of his friends, I can’t remember what place it was now, a kind of Irish pub, and then he…I said I was tired and wanted to meet Raffaele in the center, and so he accompanied me on foot to near the church, where I met Raffaele, who took me to his apartment.

[Start of 7:52 minute video segment]
GM:
Now. Have you ever made use of drugs? In particular on the afternoon or the evening of Nov 1?
AK:
I did smoke a joint with Raffaele in the evening, yes.
GM:
So you do confirm this detail.
AK:
Yes.
GM:
So now we get to Patrick’s message.
AK:
Okay.
GM:
So, Patrick’s message came, I believe you said, at 8:15.
AK:
Yes.
GM:
More or less. What did it say exactly?
AK:
I don’t remember the exact words…
GM:
[Interrupts] Was it in Italian? Was it in Italian?
AK:
Yes, it was in Italian. It had to do with the fact that there wasn’t anyone at Le Chic so I didn’t need to go to work.
GM:
And you saw this message at around what time?
AK:
Uh, I don’t remember the time.
GM:
But was it after a little while or right away?
AK:
I was on Raffaele’s bed and then I noticed that there was this symbol on my phone.
GM:
But you don’t remember when?
AK:
No. I don’t look at the clock.
GM:
And you answered Patrick—how did you answer?
AK:
Well, I wrote something like “Okay, see you later [“ci vediamo piu—um—tardi”], buona serata.
GM:
You answered in which language?
AK:
In Italian. He didn’t speak English.
GM:
“Ci vediamo piu tardi”, you said.
AK:
Yes.
GM:
OK—
AK:
Which in English means “See you”—
GM:
Yes but, excuse me, but you answered in Italian.
AK:
Yes.
GM:
“Ci vediamo piu tardi.”
AK:
He doesn’t speak English.
GM:
Very well. It follows that your cell phone [gives number] and Sollecito’s [gives number] stopped their activity respectively, yours at 8:35 and his at 8:42. Why?
AK:
I turned mine off, because I didn’t want to get another message from Patrick, because actually I didn’t really want to go to work. For example, he had told me that I didn’t have to work, but if then a bunch of people showed up, well honestly, he had told me I didn’t have to go to work and I wanted to stay with Raffaele.
GM:
Yesterday if I’m not mistaken, you said that you did it to stay with Raffaele.
AK:
Yes.
GM:
On page 40 (I don’t know if it corresponds) of the minutes of your interrogation of December 17, you said, I’ll read it, that: “I turned off my phone to save my battery.” Do you remember that?
AK:
Well, if it’s written there, it must be okay.
GM:
Today you’re saying one thing, in the interrogation you said another. [Voice intervenes: can you be more precise about the page?] Page 40: I’ll read it. “But why did you turn off your phone?” Interrogation of Dec 17. “To save my battery.” “Do you usually keep it on at night?” [He stops, annoyed at some murmuring.]
GCM:
Excuse me, excuse me.
CP?:
We’re not interrupting, we’re finding the page.
GCM:
Please, please [because of noise]. 39, 40, but anyway, these were the words. 39 or 40 is the page. Please, go ahead, pubblico ministero.
GM:
Knox’s answer: “To save my battery.” “Do you usually keep it on at night?” “If I have something to do the next morning.” “But the next morning was the day on which everyone skipped school.” “But we were supposed to go to Gubbio the next day with Raffaele.” The next day was the 2nd?
AK:
Mhm.
GM:
You wanted to go to Gubbio on the 2nd or the 3rd?
AK:
No, on the 2nd we wanted to go to Gubbio.
GM:
So, you turned off your telephone so Patrick wouldn’t be able to call you in to work, or you turned it off to save your battery, not to use up your battery. Now, you remember what, what battery you had? what kind of autonomy it had?
AK:
What kind of battery?
GM:
Yes.
AK:
I don’t know what type of battery it was, but…
GM:
The autonomy of the battery? Do you remember?
AK:
I think it was about one or two days. It wasn’t very long, but in the end, well, for example, the next morning, I was going to go to Gubbio, but I didn’t have time to charge up the battery, so I thought, I don’t want to get any phone calls this evening, and if I want to have my phone with me in Gubbio, I wanted it to be reasonably charged up. That’s why I turned it off.
GM:
I see. Now you’re saying this was the motive.
GCM:
I heard an objection. [Annoyed voices.] Please, please. Go ahead. [Voices arguing, dalla Vedova (I think it’s him) is standing up.]
GCM:
This is an analysis. Indeed, yesterday Amanda Knox stated that turning off the cell phone was to guarantee her a free evening without being… [interruption] Excuse me. But at the interrogation of Dec 17 she said that it was both to save battery and also for this reason [interruptions, arguing]. So, I thought I understood that she had two reasons. We’re not arguing about that.
??:
Also not to be called by Patrick.
GCM:
Yes, yes. Both reasons.
CDV:
The objection isn’t about that. It’s about…
GCM:
Excuse me, please. This is an analysis. let’s return to the cross-examination by the pubblico ministero. The defense lawyers will have the final words. Everyone will hear what they have to say then.
CDV:
My objection was because the introductory request—
GCM:
Please, please.
??:
Enough now [“adesso basta”].
CDV:
My objection concerned the way the pubblico ministero presented his question, appearing to contest the fact that in the Dec 17 interrogation, Amanda also explained that she turned off her phone because she didn’t want to be called by Patrick, because she didn’t want to be disturbed. This doesn’t correspond to the truth, because on page 40 of the minutes, she actually says “So, I turned it off also to not run the risk that Patrick would change his mind and call me in.”
GCM:
Excuse me, fine. We heard. The pubblico ministero gave—
CDV:
It wasn’t an objection.
GCM:
All right, but this is an analysis. The pubblico ministero gave everything concerning the reason, two reasons, why the cell phone was turned off. Later there will be analyses to determine if there is a contradiction, or a fifty per cent contradiction, or no contradiction. Now let’s leave this question.
GM:
I would like not to be interrupted.
GCM:
Please, pubblico ministero. Go ahead.

[End of video segment]
GM:
Why? erm-ahem—why did you—we will return to this point several times.
AK:
Okay.
GM:
Why did you speak about Patrick only in the interrogation of Nov 6 at 1:45? Why didn’t you mention him before? You never mentioned him before.
AK:
Before when?
GM:
In your preceding declarations, on Nov 2 at 15:30, on Nov 3 at 14:45, then, there was another one, Nov 4, 14:45, and then there’s Nov 6, 1:45. Only in these declarations, and then in the following spontaneous declarations, did you mention the name of Patrick. Why hadn’t you ever mentioned him before?
AK:
Because that was the one where they suggested Patrick’s name to me.
GM:
All right, now is the time for you to make this precise and specific. At this point I will take…no, I’ll come back to it later. You need to explain this. You have stated: “The name of Patrick was suggested to me. I was hit, pressured.”
AK:
Yes.
GM:
Now you have to tell me in a completely detailed way, you have to remember for real, you have to explain step by step, who, how, when, was the name of Patrick suggested to you, and what had been done before that point. The name of Patrick didn’t just come up like a mushroom; there was a preceding situation. Who put pressure on you, what do you mean by the word “pressure”, who hit you? You said: “They hit me”, and at the request of the lawyer Ghirga, yesterday, you described two little blows, two cuffs.
AK:
Yes.
GM:
So that would be what you meant by being hit?
AK:
Yes.
GM:
Or something else? Tell me if there was something else. You can tell us.
AK:
Okay.
GCM:
So, you are—[Interruptions] The question is—[Interruptions] Escuse me. Excuse me. The question is quite clear. He is repeating this in order to give the accused a chance to add something to these events that were explained by the accused yesterday. The pubblico ministero is asking to return to these events mentioned yesterday in order to obtain more detail about exactly what happened and who did it. Please be as precise as possible.
GM:
So you were in front of—
GCM:
The question is clear.
GM:
All right, so tell us.
GCM:
Yes, it’s clear.
AK:
All right. Okay.
GCM:
If you could give more detail, be more precise, exactly what was suggested to you, about the cuffs, all that.
AK:
Okay.
GCM:
And who did all this, if you can.

[Start of 16:01 minute video segment]
AK:
Okay. Fine. So, when I got to the Questura, they placed me to the side, near the elevator, where I was waiting for Raffaele. I had taken my homework, and was starting to do my homework, but a policeman came in, in fact there were I don’t know, three of them or something, and they wanted to go on talking to me. They asked me again—
GM:
Excuse me, excuse me—
AK:
[coldly] Can I tell the story?
GM:
Excuse me for interrupting you otherwise we’ll forget—
CDV:
Presidente, I object to this way of doing things. The question was asked—[Yelling, interruptions]—we should wait for the answer.
GM:
It’s impossible to go on like this, no, no.
CDV:
If a question is asked, she has to be able to answer.
GCM:
Please, please. That’s correct. There is a rule that was introduced, which says that we should absolutely avoid interruptions from anyone.
CDV:
I want to ask that she be allowed to finish her answer. She has the right, no?
GCM:
Please, please, pubblico ministero. It’s impossible to go on this way.
GM:
I would like to, I can—
GCM:
No no no, no one can. We have to make sure that while someone is speaking, there are never any superimposed voices. And since the accused is undergoing examination, she has the right to be allowed to answer in the calmest possible way. Interruptions and talking at the same time don’t help her, and they can’t be written down in the minutes, which obliges the courts to suspend the audience and start it again at a calmer and more tranquil moment.
GM:
Presidente—
GCM:
No, no, no! Interruptions are absolutely not allowed! Not between the parties, nor when the Court, the President is speaking. So, interruptions are not allowed. Now, the accused is speaking, and when she is finished, we can return to her answers—
GM:
Presidente.
GCM:
Excuse me, please! But at the moment she is speaking, we have to avoid interrupting her. But—I don’t know if this is what was wanted—but while you are speaking, if you could tell us when. For instance, you say you were doing homework, but you didn’t tell us when. We need to know when, on what day, the 2nd of November, the 3rd, what time it was. While you are talking, you need to be more detailed, as detailed as you can with respect to the date and the time.
AK:
Okay.
GCM:
And we must avoid interruptions, but when you have finished, we can discuss your answer.
AK:
Thank you. So, here is…how I understood the question, I’m answering about what happened to me on the night of the 5th and the morning of the 6th of November 2007, and when we got to the Questura, I think it was around 10:30 or nearer 11, but I’m sorry, I don’t know the times very precisely, above all during that interrogation.
:
The more the confusion grew, the more I lost the sense of time. But I didn’t do my homework for a very long time. I was probably just reading the first paragraph of what I had to read, when these policemen came to sit near me, to ask me to help them by telling them who had ever entered in our house. So I told them, okay, well there was this girlfriend of mine and they said no no no, they only wanted to know about men. So I said okay, here are the names of the people I know, but really I don’t know, and they said, names of anyone you saw nearby, so I said, there are some people that are friends of the boys, or of the girls, whom I don’t know very well, and it went on like this, I kept on answering these questions, and finally at one point, while I was talking to them, they said “Okay, we’ll take you into this other room.” So I said okay and went with them, and they started asking me to talk about what I had been doing that evening. At least, they kept asking about the last time I saw Meredith, and then about everything that happened the next morning, and we had to repeat again and again everything about what I did. Okay, so I told them, but they always kept wanting times and schedules, and time segments: “What did you do between 7 and 8?” “And from 8 to 9? And from 9 to 10?” I said look, I can’t be this precise, I can tell you the flow of events, I played the guitar, I went to the house, I looked at my e-mails, I read a book, and I was going on like this. There were a lot people coming in and going out all the time, and there was one policeman always in front of me, who kept going on about this. Then at one point an interpreter arrived, and the interpreter kept on telling me, try to remember the times, try to remember the times, times, times, times, and I kept saying “I don’t know. I remember the movie, I remember the dinner, I remember what I ate,” and she kept saying “How can you you remember this thing but not that thing?” or “How can you not remember how you were dressed?” because I was thinking, I had jeans, but were they dark or light, I just can’t remember. And then she said “Well, someone is telling us that you were not at Raffaele’s house. Raffaele is saying that at these times you were not home.” And I said, but what is he saying, that I wasn’t there? I was there! Maybe I can’t say exactly what I was doing every second, every minute, because I didn’t look at the time. I know that I saw the movie, I ate dinner. And she would say “No no no, you saw the film at this time, and then after that time you went out of the house. You ate dinner with Raffaele, and then there is this time where you did nothing, and this time where you were out of the house.” And I said, no, that’s not how it was. I was always in Raffaele’s apartment.
GCM:
[taking advantage of a tiny pause to slip in without exactly interrupting] Excuse me, excuse me, the pubblico ministero wants to hear precise details about the suggestions about what to say, and also about the cuffs, who gave them to you.
AK:
All right. What it was, was a continuous crescendo of these discussions and arguments, because while I was discussing with them, in the end they started to little by little and then more and more these remarks about “We’re not convinced by you, because you seem to be able to remember one thing but not remember another thing. We don’t understand how you could take a shower without seeing…” And then, they kept on asking me “Are you sure of what you’re saying? Are you sure? Are you sure? If you’re not sure, we’ll take you in front of a judge, and you’ll go to prison, if you’re not telling the truth.” Then they told me this thing about how Raffaele was saying that I had gone out of the house. I said look, it’s impossible. I don’t know if he’s really saying that or not, but look, I didn’t go out of the house. And they said “No, you’re telling a lie. You’d better remember what you did for real, because otherwise you’re going to prison for 30 years because you’re a liar.” I said no, I’m not a liar. And they said “Are you sure you’re not protecting someone?” I said no, I’m not protecting anyone. And they said “We’re sure you’re protecting someone.” Who, who, who, who did you meet when you went out of Raffaele’s house?” I didn’t go out. “Yes, you did go out. Who were you with?” I don’t know. I didn’t do anything. “Why didn’t you go to work?” Because my boss told me I didn’t have to go to work. “Let’s see your telephone to see if you have that message.” Sure, take it. “All right.” So one policeman took it, and started looking in it, while the others kept on yelling “We know you met someone, somehow, but why did you meet someone?” But I kept saying no, no, I didn’t go out, I’m not pro-pro-pro—-
GCM:
[taking advantage of her stammer] Excuse me, okay, we understand that there was a continuous crescendo.
AK:
Yes.
GCM:
As you said earlier. But if we could now get to the questions of the pubblico ministero, otherwise it will really be impossible to avoid some interruptions. If you want to be able to continue as tranquilly, as continuously as possible…
AK:
Okay, I’m sorry.
GCM:
So, if you could get to the questions about exactly when, exactly who… these suggestions, exactly what did they consist in? It seems to me…
AK:
Okay. Fine. So, they had my telephone, and at one point they said “Okay, we have this message that you sent to Patrick”, and I said I don’t think I did, and they yelled “Liar! Look! This is your telephone, and here’s your message saying you wanted to meet him!” And I didn’t even remember that I had written him a message. But okay, I must have done it. And they were saying that the message said I wanted to meet him. That was one thing. Then there was the fact that there was this interpreter next to me, and she was telling me “Okay, either you are an incredibly stupid liar, or you’re not able to remember anything you’ve done.” So I said, how could that be? And she said, “Maybe you saw something so tragic, so terrible that you can’t remember it. Because I had a terrible accident once where I broke my leg…”
GCM:
The interpreter said this to you?
AK:
The interpreter, yes.
GCM:
I also wanted to ask you because it isn’t clear to me: only the interpreter spoke to you, or the others also?
AK:
All the others also.
GCM:
Everyone was talking to you, all the others, but were they speaking in English?
AK:
No, in Italian.
GCM:
In Italian. And you answered in Italian?
AK:
In Italian, in English…
GCM:
And what was said to you in Italian, did it get translated to you in English?
AK:
A bit yes, a bit no, there was so much confusion, there were so many people all talking at the same time, one saying “Maybe it was like this, maybe you don’t remember,” another saying “No, she’s a stupid liar,” like that…
GCM:
But everything was eventually translated, or you understood some of it and answered right away?
AK:
It wasn’t like an interrogation, like what we’re doing now, where one person asks me a question and I answer. No. There were so many people talking, asking, waiting, and I answered a bit here and there.
GCM:
All right. You were telling us that the interpreter was telling you about something that had happened to her. [Interruption by Mignini.] But you need to get back to the questions asked by the pubblico ministero. This isn’t a spontaneous declaration now. This is an examination. That means the pubblico ministero has asked you a question, always the same question, and we still haven’t really heard the answer to it.
AK:
Yes, sorry.
GCM:
Right, so you were saying that there was this continuous crescendo.
AK:
It’s difficult for me to say that one specific person said one specific thing. It was the fact that there were all these little suggestions, and someone was saying that there was the telephone, then there was the fact that… then more than anything what made me try to imagine something was someone saying to me “Maybe you’re confused, maybe you’re confused and you should try to remember something different. Try to find these memories that obviously you have somehow lost. You have to try to remember them. So I was there thinking, but what could I have forgotten? And I was thinking, what have I forgotten? what have I forgotten? and they were shouting “Come on, come on, come on, remember, remember, remember,” and boom! on my head. [Amanda slaps herself on the back of the head: End of video segment] “Remember!” And I was like—Mamma Mia! and then boom! [slaps head again] “Remember!”
GCM:
Excuse me, excuse me, please, excuse me…
AK:
Those were the cuffs.

[Voices: “This is impossible!” “Avoid thinking aloud!” “Or suggestions”]
GCM:
So, the pubblico ministero asked you, and is still asking you, who is the person that gave you these two blows that you just showed us on yourself?
AK:
It was a policewoman, but I didn’t know their names.
GM:
Go ahead, pubblico ministero.
GM:
So, now, I asked you a question, and I did not get an answer. You ... [interruptions]!
LG or CDV:
I object to that remark! That is a personal evaluation! Presidente! That is very suggestive. He is making an unacceptable conclusion. He can ask a question, but this is a personal opinion. It seems to me that she did answer. She answered for a good five minutes.
GCM:
Sorry, but I said that we were supposed to avoid interruptions, that we weren’t supposed to interrupt when someone was speaking—
LG or CDV:
But—
GCM:
Wait—avvocato, excuse me, please, let’s try to avoid these moments which don’t help anybody and probably harm the person undergoing the examination because they create tension in the court—
GM:
When I am doing the cross-examination I would like—
GCM:
Please, pubblico ministero. This is another recommendation: let’s avoid analyses. Let’s take the answers as they come, later the right moment will come to say that from this examination, you did not obtain the answer that you expected, that the accused did not answer the questions. That is a later phase. At this moment, let’s stay with the answers that we have, even if they are not exhaustive, and return to the question, but avoiding personal evaluations of their value. Go ahead, publicco ministero, go ahead.
GM:
I would like to—
GCM:
Yes, yes, go ahead, return to your question. And then you can come back to it with more details.
GM:
The central point of that interrogation was the moment when the name of Patrick emerged. You spoke of suggestions, you spoke of pressure, you spoke of being hit, I asked you to give me a precise description of who gave you the blows, you need to describe this person. Was it a woman or a man? Who asked you the questions? Who was asking you the questions? There was the interpreter, who was the person who was translating. But the exam, the interrogation, who was doing it? Apart from the people who were going in and out. You must have understood that there was a murder, and this was a police station, and the investigation was hot, and what I am asking you is, who was actually conducting the interrogation?
GCM:
The pubblico ministero is asking you, you said that the two blows were given to me by someone whose name I don’t know. The pubblico ministero is asking you firstly if you can give a description of the person who hit you, if you saw her, and if you can give us a description. The second question—
AK:
So, when I—the person who was conducting the interrogation—
GCM:
That was the second question! You’re starting with the second question, that’s fine, go ahead, go ahead.
AK:
Oh, sorry…
GCM:
Go on, go on. The person who was conducting the interrogation…
AK:
Well, there were lots and lots of people who were asking me questions, but the person who had started talking with me was a policewoman with long hair, chestnut brown hair, but I don’t know her. Then in the circle of people who were around me, certain people asked me questions, for example there was a man who was holding my telephone, and who was literally shoving the telephone into my face, shouting “Look at this telephone! Who is this? Who did you want to meet?” Then there were others, for instance this woman who was leading, was the same person who at one point was standing behind me, because they kept moving, they were really surrounding me and on top of me. I was on a chair, then the interpreter was also sitting on a chair, and everyone else was standing around me, so I didn’t see who gave me the first blow because it was someone behind me, but then I turned around and saw that woman, and she gave me another blow to the head.
GCM:
This was the same woman with the long hair?
AK:
Yes, the same one.
GCM:
All right. Are you finished? Tell me if you have something to add.
AK:
Well, I already answered.
GCM:
Fine, fine, all right. Go ahead, pubblico ministero.
GM:
I’ll go on with the questions. In the minutes it mentions three people, plus the interpreter. Now, you first said that they suggested things to you. What exactly do you mean by the word “suggestion”, because from your description, I don’t see any suggestion. I mean, what is meant by the Italian word “suggerimento”, I don’t find it.

[Interruptions]
GCM:
[quelling them] Excuse me, excuse me, please, please, excuse me, excuse me! Listen, the pubblico ministero is asking you: “suggestions”, you also mentioned words that were “put in your mouth”, versions, things to say, circumstances to describe.

[Start of 15:22 minute video segment] The pubblico ministero is asking two things: who made the suggestions, and what exactly were you told to say? }}
AK:
All right. It seems to me that the thoughts of the people standing around me, there were so many people, and they suggested things to me in the sense that they would ask questions like: “Okay, you met someone!” No, I didn’t. They would say “Yes you did, because we have this telephone here, that says that you wanted to meet someone. You wanted to meet him.” No, I don’t remember that. “Well, you’d better remember, because if not we’ll put you in prison for 30 years.” But I don’t remember! “Maybe it was him that you met? Or him? You can’t remember?” It was this kind of suggestion.
GCM:
When you say they said “Maybe you met him?”, did they specify names?
AK:
Well, the important fact was this message to Patrick, they were very excited about it. So they wanted to know if I had received a message from him—

[Interruptions]
GCM:
Please, please!

[Interruptions, multiple voices]
CDV:
It’s not possible to go on this way! [Mignini yells something at dalla Vedova]
GCM:
Please, please, excuse me, excuse me!
??:
I’m going to ask to suspend the audience! I demand a suspension of five minutes!
GCM:
Excuse me, excuse me! Please!
CDV:
Viva Dio, Presidente!
GM:
Presidente, I’m trying to do a cross-examination, and I must have the conditions that allow me to do it! The defense keeps interrupting.
??:
That’s true!
GCM:
Excuse me, excuse me, please—
GM:
We’re asking for a suspension!
GCM:
Just a moment, excuse me. I’ve heard all the demands and suggestions, now the Court will decide. So.

[Several moments of silence, during which Amanda murmurs in a very tiny voice: “Scusa.”]
GCM:
I want to point out that the accused offers answers to every question. She could always refuse to respond. She is answering, and that doesn’t mean she has to be asked about the same circumstances again and again. She is not a witness. The accused goes under different rules. We have to accept the answers—
??:
But—
GCM:
Please, please! We have to accept the answers given by the accused. She can stop answering at any time. At some point we simply have to move on to different questions. One circumstance is being asked again, the accused answered. The regularly, the tranquillity, the rituality of the court, of the process, has to be respected. The pubblico ministero was asking about suggestions. [To Amanda] If you want a suspension we can do it right away.
AK:
No, I’m fine.
GCM:
So the pubblico ministero was asking about the suggestions. All right?
AK:
Sure.
GCM:
So, you were the one who gave the first indication, introducing this generic pronoun “him”? This “him”, did they say who it could be?
AK:
It was because of the fact that they were saying that I apparently had met someone and they said this because of the message, and they were saying “Are you sure you don’t remember meeting THIS person, because you wrote this message.”
GCM:
In this message, was there the name of the person it was meant for?
AK:
No, it was the message I wrote to my boss. The one that said “Va bene. Ci vediamo piu tardi. Buona serata.”
GCM:
But it could have been a message to anyone. Could you see from the message to whom it was written?
AK:
Actually, I don’t know if that information is in the telephone. But I told them that I had received a message from Patrick, and they looked for it in the telephone, but they couldn’t find it, but they found the one I sent to him.
GCM:
I also wanted to ask you for the pubblico ministero, you wrote this message in Italian. I wanted to ask you, since you are an English speaker, what do you do when you wrote in Italian? Do you first think in English, and then translate into Italian, or do you manage to think directly in Italian?
AK:
No, at that time, I first thought in English, then I would translate, and then write.
GCM:
So that clarifies that phrase. Go ahead, pubblico ministero, but I think we’ve exhausted the question.
GM:
Yes, yes. I just wanted one concept to be clear: that in the Italian language, “suggerire” means “indicate”, someone who “suggests” a name actually says the name and the other person adopts it. That is what “suggerimento” is, and I…so my question is, did the police first pronounce the name of Patrick, or was it you? And was it pronounced after having seen the message in the phone, or just like that, before that message was seen?
??:
Objection! Objection!
GM:
On page 95, I read—
CDV:
Before the objection, what was the question?
GM:
The question was: the question that was objected was about the term “suggerimento”. Because I interpret that word this way: the police say “Was it Patrick?” and she confirms that it was Patrick. This is suggestion in the Italian language.
GCM:
Excuse me, please, excuse me. Let’s return to the accused. What was the suggestion, because I thought I had understood that the suggestion consisted in the fact that Patrick Lumumba, to whom the message was addressed, had been identified, they talked about “him, him, him”. In what terms exactly did they talk about this “him”? What did they say to you?
AK:
So, there was this thing that they wanted a name. And the message—
GCM:
You mean, they wanted a name relative to what?
AK:
To the person I had written to, precisely. And they told me that I knew, and that I didn’t want to tell. And that I didn’t want to tell because I didn’t remember or because I was a stupid liar. Then they kept on about this message, that they were literally shoving in my face saying “Look what a stupid liar you are, you don’t even remember this!” At first, I didn’t even remember writing that message. But there was this interpreter next to me who kept saying “Maybe you don’t remember, maybe you don’t remember, but try,” and other people were saying “Try, try, try to remember that you met someone, and I was there hearing “Remember, remember, remember,” and then there was this person behind me who—it’s not that she actually really physically hurt me, but she frightened me…
GCM:
“Remember!” is not a suggestion. It is a strong solicitation of your memory. Suggestion is rather…
AK:
But it was always “Remember” following this same idea, that…
GCM:
But they didn’t literally say that it was him!
AK:
No. They didn’t say it was him, but they said “We know who it is, we know who it is. You were with him, you met him.”
GCM:
So, these were the suggestions.
AK:
Yes.
GCM:
Go ahead, pubblico ministero.
GM:
I object here on the dynamics, because here there’s a contrast…well… per carita—[Brief interruption from GCM]—From Amanda’s answer, it emerges that there was this cell phone and this message and this “Answer, answer,” whereas in the minutes of the Dec 17 interrogation, page 95, we find: The police could not have suggested—[Arguing, everyone speaking, Maresca, Pacelli etc., some saying that they need to know the exact page, it’s different in their version. ]
GCM:
While the pubblico ministero is talking, let’s avoid interrupting him. It’s true that the pages are different, but still, if you can’t find the page, ask for a moment’s pause, don’t interrupt the reading.
GM:
So, on line number one, two, three, four…
GCM:
Pubblico ministero, don’t worry about the lines, please read.
GM:
[reading] She said: “I accused Patrick and no one else because they were continually talking about Patrick.” Suggesting, to use Amanda’s words. I asked: “The police, the police could not suggest? And the interpreter, was she shouting the name of Patrick? Sorry, but what was the police saying?” Knox: “The police were saying, ‘We know that you were in the house. We know you were in the house.’ And one moment before I said Patrick’s name, someone was showing me the message I had sent him.” This is the objection. There is a precise moment. The police were showing her the message, they didn’t know who it was—
GCM:
Excuse me, excuse me pubblico ministero [talking at the same time] excuse me, excuse me, the objection consists in the following: [to Amanda], when there are contrasts or a lack of coincidence with previous statements, be careful to explain them.
AK:
Okay.
GCM:
Do you confirm the declarations that the pubblico ministero read out?
AK:
I explained it better now.
GCM:
You explained it better now. All right pubblico ministero. Go ahead.
GM:
So, let’s move forward.
AK:
Okay.
GM:
Now, what happened next? You, confronted with the message, gave the name of Patrick. What did you say?
AK:
Well, first I started to cry. And all the policemen, together, started saying to me, you have to tell us why, what happened? They wanted all these details that I couldn’t tell them, because in the end, what happened was this: when I said the name of “Patrick”, I suddenly started imagining a kind of scene, but always using this idea: images that didn’t agree, that maybe could give some kind of explanation of the situation. I saw Patrick’s face, then Piazza Grimana, then my house, then something green that they told me might be the sofa. Then, following this, they wanted details, they wanted to know everything I had done. But I didn’t know how to say. So they started talking to me, saying, “Okay, so you went out of the house, okay, fine, so you met Patrick, where did you meet Patrick?” I don’t know, maybe in Piazza Grimana, maybe near it. Because I had this image of Piazza Grimana. “Okay, fine, so you went with him to your house. Okay, fine. How did you open the door?” Well, with my key. “So you opened the house”. Okay, yes. “And what did you do then?” I don’t know. “But was she already there?” I don’t know. “Did she arrive or was she already there?” Okay. “Who was there with you?” I don’t know. “Was it just Patrick, or was Raffaele there too?” I don’t know. It was the same when the pubblico ministero came, because he asked me: “Excuse me, I don’t understand. Did you hear the sound of a scream?” No. “But how could you not have heard the scream?”. I don’t know, maybe my ears were covered. I kept on and on saying I don’t know, maybe, imagining…

[End of video segment]
GCM:
[Stopping her gently] Okay, okay. Go ahead, pubblico ministero.
CDV?:
I’d like to ask a question, I’d like to make an objection about—
GCM?:
All right, so—
GM:
Is it a question or an objection? [crossing, arguing voices]
GCM:
Please, no interruptions.
CDV?:
[stronger] I said, I am asking a question and making an objection—
GCM:
But, excuse me, let’s stay with essentials. Let’s hear what the pubblico ministero has to say, and then we’ll see. That’s a premise.
GM:
I appeal to the court that this is making the examination impossible.
GCM:
Please, please, sorry. Go ahead.
GM:
I am trying to understand. In the interro—[he breaks off in mid-word, I think dalla Vedova must have stood up again.]
GCM:
But it’s not possible to hinder things this way, avvocato. Excuse me. Why?
CDV?:
[hard to hear because he’s speaking at the same time as GCM] The defense would like to formally ask for a break [?]
GCM:
We haven’t even heard what he is trying to say yet. You can’t make preventive objections! I’m sorry, avvocato.
CDV?:
I’m not making an objection—
GCM:
[really trying to stop him but not succeeding, CDV goes on talking at the same time] Please, please avvocato, no no no no, the pubblico ministero is speaking. [GM also says some words] Excuse me, excuse me.
CDV?:
The suggestions of the PM before asking the question are inopportune, because he is suggesting and making suggestive…
GCM:
Please, please, excuse me, excuse me! [He really, really needs a gavel to bang!]
GM:
[some words]
GCM:
Please, pubblico ministero! We are creating useless moments—
GM:
[some words]
GCM:
[much louder] Please, pubblico ministero! Please! Now, excuse me.
GM or CDV:
Please explain this concept to me.
GCM:
Please, please! [He finally obtains silence] I understand that when these interruption happens, the tone gets a bit louder, but that is not helpful. [Interruption] Please, please—but we are getting the impression that the objections are preventive. So while the pubblico ministero is speaking, which he has every right to do in this phase, and the defense already had their chance to do it, and they weren’t interrupted yesterday, so we ask for equal treatment today, at the present moment of the examination of the accused. And the tone should always remain cordial without giving the impression of a—
CDV:
Yes, yes, no, no. But it’s just that, I am asking that—
GCM:
Please, avvocato. There’s no reason. We are trying to reconcile the interests of all parties, we are gathering circumstances on which the different parties are called to make analyses and the Court to decide. This will be helpful for everyone. Go ahead.
GM:
The question is this: You say, you just told me a little while ago, that… the police—I’m trying to—well, I have to give a little introduction so she understands my question. You said “they found this message and they asked me whom it was to, if it was true or not true.” And you answered. Then the police obviously goes forward with their questions. “So, tell us”. And you…you just told me, I can’t read it, obviously I don’t have the transcription right here, but, I might be making a mistake, I don’t know, but you were saying that you remembered Piazza Grimana. Did you really say that?
AK:
Yes.
GCM:
Please, please, excuse me, there, now what the accused is saying is: “On the basis of these elements, I tried to reconstruct a scene that could be verified.” In these terms, not because she… She mentally elaborated, with her imagination: this is what I understood, how the scene could be realized, containing those elements that had come up.
AK:
Certainly.
GCM:
But she wasn’t speaking of an effective memory of circumstances that had effectively occurred in her perception. That is the meaning of the response of the accused.
AK:
Certo.
GM:
But you said that you remembered Piazza Grimana.
AK:
I had an image of Piazza Grimana.
GM:
An image of Piazza Grimana, that’s right. Now listen, in the interrogation, page 95, the same interrogation, but the same expression turns up in other places, I can give references if necessary…

[Post hit our page limit above, continues below]

Correcting Netflix 27 Omitted - State Department Monitored Knox 2007-11; Zero Ill Treament Reported

Posted by Our Main Posters



Punta Cana, Dominican Republic, where nefarious things go on

1. State’s Prodigious Monitoring Of Knox

The State Department through the Rome Embassy monitored Knox in court and prison for four years.

From late 2007 to late 2011. Usually, when drugs are involved in a local crime by an American national, the US embassies and consulates are not allowed by their rules to play any role.

Knox herself never denied drug use, in fact she made it part of her defense. So why did the consulates even monitor Knox? We dont know yet.

The cost to the US taxpayer was huge. Here is our estimate.

Such monitoring could have averaged three days work each month allowing for travel, and 3 or 4 times that during the Massei trial. Monitoring Knox could have cost $1000 a day in staff costs and hotels and travel and meals every time.

Make that say $48,000 in 2008, $120,000 in 2009, $48,000 in 2010, and $96,000 in 2011, for a total over $300,000. American taxpayers had to pay this, again seemingly against rules as this case involved drugs.

Nevertheless, for the truth we strive for on our sites, there was actually a big plus. The monitors from the Embassy never ever reported anything wrong in the situation of Knox.

2. Knox Apologists Try To Hijack State

After Washington State Senator Cantwell failed Knox (see links 1, 2 and 3 below) the Knox apologists kept trying to bend the State Department to Knox’s advantage in at least five ways. 

(1) They obtained the first of the emailed reports from the Rome Embassy, obviously hoping that they would reveal something wrong. They didnt. Journalist Andrea Vogt obtained numerous other cables under the Freedom of Information Act. Again nothing was reported as wrong. See links 4, 5 and 11 below.

(2) The daffy Knox apologists Michael Heavey, John Douglas and Steve Moore ran an ill-attended presentation on Knox’s supposed woes in a room for rent at the Congress. Someone from State was said to be there and to promise to open some doors. A second presentation is said to have been offered at State.  See link 6 below.

(3) An anonymous “official” source in the State Department persistently attempted in the media to pour cold water on the case on behalf of Knox. Ergon tracked him down. He proved to be merely a low-level clerk in the Department’s offices in Hawaii.  See links 7 and 8 below.

(4) A campaign was run to try to get American lawyers and legal commentators to say that Knox was being subject to a second and a third trial, and that under American law this was double jeopardy. So any extradition requests from Italy should be stonewalled. Several agreed, many others did not.  See links 9 and 10 below.

(5) They handed over a wildly inaccurate “petition” to a gullible Assistant Secretary of State with numerous signatures that proved to be fake. We pointed out ten inaccurate claims and the petition went nowhere at State. See link 12 below.

3. Did Any Of This Make Italian Justice Look Bad?

In fact no, not at all. Perhaps it was US taxpayer money well spent if it shoots the numerous lurid conspiracies in the foot.

The campaign just might possibly have mattered if in 2015 the Supreme Court had ruled the other way and an extradition was the subject of a request. However various lawyers observed that the Extradition Treaty is very tight and written in such a way that politics could not interfere.

Given Sollecito’s furtive shenanigan in the Dominican Republic in December 2013 it looks like his mafia chums beat the State Department to the punch and in that way the Supreme Court outcome was fixed.

Netflix definitely should have informed viewers that the American government did all this monitoring and yet proved nothing wrong. No sign that Knox was being framed. But predictably Netflix did not.

4. Further Reading On Our Site

1. US Overreaction: Amanda Knox’s Own Lawyer Groans “That’s All We Need, Hillary Clinton”

2. US Overreaction: State Department (Foreign Office) Rebuts Senator Cantwell’s Claims

3. Our Letter To Senator Maria Cantwell: Please Don’t Take Precipitate Action Till Full Facts Are In

4. Amanda Knox’s Supporters Obtain Rome Embassy Cables About Knox, Prove Of No Help

5. Andrea Vogt Obtains New Rome Embassy Cables From State, Still Showing Zero Concern About Knox

6. Knox Apologists Attempt To Bend Congress; But Nobody Important Turns Up

7. Did The State Department Really Offer Assurances To Amanda Knox She Never Would Be Extradited?

8. So Is James Moninger The One Moonlighting As Anonymous Spokesman For Dept Of State?

9. Tip For The Media: In Fact Knox Extradition Is Likely To Be Readily Granted

10. The US Lacks Legal Authority To Decline To Deliver A Guilty Knox To Italian Authorities

11. Journalist Andrea Vogt Highlights Non-Damning Nature Of Rome Embassy Cables About Knox

12. Ten Of The Ways In Which The FOA Petition That The State Department Accepted Is Dishonest


Correcting Netflix 28 Omitted - The Case Against RS & AK Is Actually Getting Stronger Still

Posted by Peter Quennell




Pro-Guilt Trends

See the pointilist painting above? It consists entirely of dots. The more dots, the more it makes sense.

Justice can take its sweet time. But the global trend is for it to win out in the end. There is actually a huge industry that does what we do. Continue to harden cases dot by dot.

Primarily for that reason, opinion polls and surveys taken of the attitudes to specific crimes show that over time most of those attitudes trend toward guilt. Even Netflix can’t buck that.

Smoking Guns

This case is like that. Take a look at our new page. Created at popular request. The stark facts in any one of those posts is pretty well impossible to innocently explain away.

Eight of those 12 posts appeared - could only appear - in the past three years. New documents and new translation continue to arrive. The enormous Case Wiki and PMF and TJMK add more depth all the time. 

Media Shortfalls

This goes on despite almost no help from US and UK media, who between them barely ever translated a single word. There was some fine reporting (see next posts). But major happenings in the case often got no reporting at all.

The blatant corruption of the Hellman appeal? No report. Sollecito’s telling second trip to the Dominican Republic? No report. Guede pointing more and more strongly at the pair? No report. Knox inevitably facing charges for the defamations in her book? No report. Her 400 lies there plus many more? No report.

The final vexatious outcome from the Supreme Court, which put Knox with blood on her hands right at the scene of the crime (the whole house)? No report. Sollecito’s two losses in court this year over his damages-award claim and his book? No report.

Bad books (think of PR shills Dempsey, Burleigh, Fischer, Heavey, Preston, Douglas, and Moore - as well as Sollecito and Knox) don’t stand the test of time. They are now really easy to shoot down. In contrast strong well-documented legal takes like James Raper’s book quietly move in. The BBC airs the best report done so far.

Inflection Point

Italians are strongly pro-guilt. Especially toward Knox, widely seen as the enraged and jealous prime mover and the killer of Meredith who wielded the final stab in the attack.

So we are pretty confident that the US and UK will see an inflection point in 2018. Just sayin’ Netflix.


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