Category: Movies on case

Tuesday, October 05, 2010

The Controversy Over The Lifetime Movie Seems To Be Stirring Some Needed Changes

Posted by Peter Quennell



[Above The President and CEO of the A&E network and Lifetime TV Abbe Raven]

Our various previous posts on this controversial movie can be seen here.

This movie became so controversial so fast because Meredith’s mother Arlene spoke up sharply to the free-lance reporter Nick Pisa (one of the most energetic reporters on the case from Perugia who we often quote from here) about the convicted killer Amanda Knox being idolised like this, while her daughter Meredith, the real victim, was the one long overdue some compassion.

There is still no reporting of reaching-out to Meredith’s family in London. Such arrogant callousness toward the family of a victim who died cruelly and needlessly in immense pain would have caused a firestorm if that victim’s family had been living here in the United States.

But Lifetime and the production team do seem to have come so far as to have realized now that this is not a black and white case, at least not in the way that they were originally thinking. And that the original TV movie concept might do them at least as much harm as good.

The lawyers for Amanda Knox in Perugia are still being quoted in the Italian media as disliking the timing of this film. If it causes Raffaele Sollecito and his own legal team to finally separate (we believe the relationship is now dangling by a single thread) and he hangs Amanda Knox out to dry, she and her legal team would have headaches like nothing they so far imagined.

The Italian authorities - including the Italian equivalent of the FBI in Rome - are clearly very tired of being ignorantly mischaracterized for what the Massei Report shows (in face of an unmistakable crime scene rearrangement and a lot of blown smoke) to have been a very strong case that would have ended in “guilty” in almost any courtroom in the world.

Lifetime have accordingly renamed the movie Tangled rather than The Amanda Knox Story. And there are suggestions that the movie will now depict how the three killers got in over their heads, rather than how two of them were framed in the middle of a blissful love affair.

Lifetime TV say the film is selling well around the world and could be broadcast on the Lifetime channel in the US as soon as next March. It will be shot in Rome and, presumably, in Seattle where Amanda Knox grew up.

Director Robert Dornhelm (image at bottom) in interviews here and here still sounds like he swallowed the “railroaded and framed” kool-aid, and he sounds quite ignorant of Massei. But he says he will not “weave his point of view” into the film’s final result.

Writer Wendy Battles does not seem to have given any interviews, but she works in a fragile occupation as a freelance, and there are many ready to take her place if she slips here. Her filmography is exclusively of the cliffhanger who-dunnit kind of TV series, and character development and love stories don’t seem to figure in it prominently if at all.

The actress Hayden Panettiere, a former child actress,  is now known mostly for one recurring TV role, that of a bubbly and rather ditsy cheerleader in ABC’s long-running and now-concluded Heroes series. Actresses who become prominent so young (she was in her teens for most of the series) seem to have a real problem keeping their life and career on the tracks. There are other actresses with real acting skills and very bright mentalities (Kristen Stewart, Emma Stone, and Anna Kendrick) who’ll leave her in the dust if she gets this one wrong.

The Lifetime channel would seem to be a strange vehicle for this movie if it is intended to have any more clout in the US than the passively-received Oprah Winfrey show - which has twice the audience, by the way. Lifetime is watched mostly by women without college education, and as it often seems anti-men (it is quite rare for a woman to be the villain) it attracts not many male viewers at all.

There is no sign that Lifetime TV has been gaining in audience share lately, and its immediate parent the A&E network is not the respected powerhouse network it once was. Hostility toward Lifetime grew considerably last year, when its anti-man bias caused it to depart wildly from known facts. 

If you are inclined to provide Lifetime with helpful advice to get the movie right, emails are usually not nearly as effective as written letters. The Lifetime headquarters where decisions on this movie are made is located a block or so west of Times Square in Manhattan.

    Lifetime Television, 111 8 Av @W 16th St New York, NY 10001 212-641-3300

The officers of the company are as follows. The President and CEO of A&E and Lifetime is Abbe Raven (image below), the CFO is James Wesley, and the Chief Marketing Officer is Bob Bibb. In the Lifetime operation Neil Schubert is the Senior VP of Publicity, Julie Stern is the VP of Production, and Sandy Varo is the VP of Reality Programming.

Lifetime and A&E are owned 50% by Hearst Corporation (which also owns the Seattle PI) and 50% by the Disney Corporation (which 100% owns the ABC network). The Seattle PI hosts Candace Dempsey’s blog.

It also carries Rome-based reporter Andrea Vogt’s sharp, accurate and incisive reporting on the case. Good source if the team want to get all the facts correct.


 

Posted by Peter Quennell on 10/05/10 at 05:04 PM • Permalink for this post • Archived in Various hypothesesMovies on caseComments here (16)

Friday, October 01, 2010

Knox Slander Hearing Adjourned: Her Lawyers Make It Sound Like She Might Crack - Too Late?

Posted by Peter Quennell



[Amanda Knox and her lawyer Luciano Ghirga in court last June]

The slander hearing was adjourned by Judge Matteini to Monday 8 November, after less than one hour.

Amanda Knox now knows she is not only facing the huge and detailed Massei Report and (vital to remember) the really huge volume of witness and expert statements and evidence exhibits and other documents to which it it links, which are for the most part only available in Italian.

Now she knows she is facing a bunch of hostile cops, as she was exchanging stares with all of them today in court. And if she continues to accuse them in court, she will be cross-examined, and pressed very hard to name which one or ones it was - while looking him or her or them right in the eye.

Quite some pressure. Mr Ghirga has just been reported as saying this about Amanda Knox’s state of mind.

“She has hardened herself, she has become more unhappy and less serene,” he said. “I hope we can help her to find her serenity back before Nov 24 and that she doesn’t lose her courage. This would not help us.”

And here is another report from another of her lawyers.

“She’s very down,” said her lawyer, Maria del Grosso of Rome. “I’ve told her to be tough. It won’t help to fall apart now. “

This all seems to imply that Knox just might decide to abandon the hard line encouraged by the PR campaign, which seems to be getting her nowhere except into more hot water, and move from her various conflicting stories and over now to something completely different. 

Something credible and consistent that actually sounds like the truth? Who knows?

Coming so late in the process, with Meredith’s family and friends already put through deep pain for nearly three years, it may not happen - at least not yet. Still, one consistent story if believed could affect her sentence and the conditions of her stay in prison if she does not win her freedom at appeal.

And some peace of mind for all those who have been hurt. All except one: her family’s very precious Meredith. Stay tuned.


Sunday, September 26, 2010

Knox Movie: Hardening Suggestions Panettiere & Dornhelm & Battles Have Been Sold A Total Dog

Posted by Janus



[Above: wannabee Amanda Knox impersonator actress Hayden Panettiere]

For three days the Knox machine in Seattle said nothing about the Lifetime movie.

On Monday Knox’s own lawyers in Perugia had said the proposed Lifetime movie was a bad concept badly timed. and lawyers for Sollecito indicated that this movie would be stopped by legal means as it could hurt them a lot more than it could ever help.

Maria Del Grosso, a lawyer who works with the criminal lawyers Amanda Luciano Ghirga and Carlo Dalla Vedova, reached by telephone by Adnkronos, called the idea “at least inappropriate”¦. you can not think about making a film when the case is judicially still open”¦. when you remove all this tension, we can work better on the appeals.”

Finally on Thursday there came a very muted claim of denial of involvement from the Knox machine in Seattle in the form of a Facebook Causes message apparently signed by Deanna Knox - a rather sad low-traffic page that, by the way.
.

“to all those who follow my sisters case and have heard about the new lifetime movie. here are some facts that we know now.
1.) yes, as it looks right now lifetime is making a movie about my sisters trial.
2.) yes, it looks like Hayden Panettiere is playing my sister in this movie.
3.) no, Hayden Panettiere has not visited my sister in italy, nor has Hayden or any of the ptoducers have had any contact with the family.
4.) will this movie follow the facts….at this point it is hard to tell, from reading news on it, so far it looks like it wont, calling my sister guiltridden and an infamous killer which none are true, we shall see how the tabloid lifetime comes up with.
till later this is all we know. -Deanna Knox”

Claim 3 would appear at first glance to be unambiguous. However, it does not exclude the possibility that some other people from say Lifetime have, for example, sat with the Knox machine, maybe for many hours. And in any case, which branch of the extended family is Deanna Knox referring to? The Knox branch, the Mellas branch, the Huff branch, or all three? Like many Knox statements, this one begs more questions than it answers.

Claim 4 also seems unambiguous. However, Deanna has clearly not been “reading news” with a great deal of care, since the attributed quotes were not made by the movie-makers - they were made by neutral media reporters writing up the story.

There seemed three possibilities in this instance: Firstly, that Deanna was a bare-faced liar. Secondly, that she is being kept “out of the loop” by other family-members and the Knox machine. Thirdly, that she really was telling the truth, the whole truth and nothing but the truth.

But now the CBS website is reporting that, contrary to earlier reports, Amanda Knox’s lawyers are not attempting to stop the movie being made. “Sources close to the case” (most followers of this case could have a good guess about who those “sources” might be) “told CBS News’ 48 Hours producers that Knox didn’t know about the film and has no plans to oppose it.

So it seems Mr Ghirga and Mr Della Vedova might have been told to please shut up. 

It is now only Sollecito’s legal team that wants to stop it - and do they ever; see the post directly below. They have immense powers to do that.

Meanwhile we are hearing from an entertainment industry source that the script may not adhere at all closely to the truth, and may in fact in fact be a conspiracy theory snow job, with Italy and its meanie officials once again as the villains of the piece. (Good luck Lifetime in all the slander suits that will fly in face of such xenophobic and libelous rubbish.).

There are basically three components to the Amanda Knox story.

1) Amanda Knox’s life growing up troubled in Seattle and what the books say about it was described on Thursday here. 

One problem with any movie that Curt Knox and Edda Mellas do not tightly control is the reports that are already out there (including in two of the books) of extreme family friction before and after the divorce - Amanda was not much more than a toddler at the time of the divorce.

Narcissistic sociopathy and narcissistic psychopathy, which psychologists have speculated Amanda might to some degree have (tests done on her in prison during the hearings were not released. but they helped sway a judge to not grant house arrest or bail), can apparently be triggered by early childhood trauma.

Another problem for Curt Knox and Edda Mellas if they do not control the film is the reports of Amanda’s quirky behavior over the years, which continued at the University of Washington and also in Perugia. It was most especially noticeable in the three days after Meredith’s murder, as her sentencing report points out, and again when she was on the witness stand in June 2009. And she has admitted to using drugs - in fact, she used that as a part of her defence.

2) Amanda Knox after she arrived in Perugia, where she had an almost uniquely unstructured and very under-funded student arrangement, where she had only a very light study load (especially compared to that of Meredith), where she was undoubtedly on drugs and possibly hard drugs (cocaine), where she was losing any friends in Perugia fast because of her loud abrasiveness, and where she was in danger of even losing her vital job - probably she thought she HAD lost it on the night, which would have sparked an angry storm in her just when Meredith died. (There are posts on all of these aspects here on TJMK.)

3) Amanda Knox and her team at trial. Amanda Knox and her mother did NOT do compellingly well on the stand, and the defence phase of the trial (unlike the prosecution phase) was weak, halting, indecisive, slow, and absolutely lacking in knockout punches. By the time of the verdict in December, Italian sympathy was hovering around zero.

Told truthfully, none of this - none - make her look like an attractive all-American girl. She was an apparently troubled person on drugs who was, with good reason, found guilty of a very vile murder.

And that’s it.  This is not a patch on Meredith’s inspiring story - the super-achiever Meredith was the REAL victim here, in case Lifetime forgets. The less talented and less focused and less popular Knox was not a victim, ever, in any sense of the word. Except maybe in her own home.

Lifetime really seems to have the victims back to front.

Good film makers like Robert Dornhelm and Wendy Battles should really be taking this description above, and the Micheli and Massei Reports, as their point of departure, not the made up “facts” and ludicrous explanations of conspiracy theorists who have already done so much to anger half of Italy.

Especially if Dornhelm and Battles (and Hayden Panettiere) don’t want to see the lawsuits flying (there are several more slander suits already rumored to be in the works).

Meanwhile, in South London, the pain and misery continues for the family of Meredith Kercher, and an arrogant unfeeling Lifetime Television has still not bothered to respond to their very real and heartfelt concerns. 

Common decency dictates Lifetime SHOULD have contacted Meredith’s family before this movie project passed step one. Since they chose not to do so, common decency now dictates that it becomes a matter of priority. That means reaching out to the Kerchers, today.

Their Italian lawyer, Francesco Maresca, has worked long and hard for them. He is easy to contact, and he will surely be happy to discuss the issue with Lifetime, and protect the Kerchers’ interests and make their feelings known.


Friday, September 24, 2010

The Knox Movie: Sollecito Reported Angry - Real Risk That His Defense Could Break Away From Knox’s

Posted by Peter Quennell


The Austrian Independent is reporting that Raffaele Sollecito has come out against the Lifetime movie.

Now Raffaele Sollecito ““ jailed for 25 years for his part in the crime which occurred in Perugia three years ago ““ announced concerns the film could harm legal appeals he and Knox, his ex- girlfriend are making against their convictions.

The Italian’s lawyer Luca Maori said today (Fri): “We don’t have the final verdict in this case yet. If the film is ready before the appeal is over, we will seek a court injunction to prevent it being aired.”

Sollecito’s lawyers Giulia Bongiorno and Luca Maori have already said they will go so far as to take Lifetime to court to prevent the making and release of The Amanda Knox Story movie during the appeals - which could go on for years.

Why are Raffaele Sollecito and his lawyers being so angry and so adamant about canning the movie?

Here are two suggestions.

1) The hurtful PR campaign, of which this movie must seem an extension

It has been obvious for a long time in Italy that the Sollecito camp (especially including Raffaele’s father) do NOT like being joined at the hip to what must look to them like a runaway train of a defense campaign.

Barbie Nadeau in Newsweek last week described how very badly the strident and misleading PR campaign is now going over in Italy.

Since her arrest in November 2007 and conviction in December 2009, Knox supporters have repeatedly condemned everyone involved in the case who does not believe in wholeheartedly in her innocence. Knox’s stepfather, Chris Mellas, ridiculed the ruling judge’s conviction reasoning as a “fictional novel” and a support group called Friends of Amanda regularly called the chief prosecutor “mentally unstable” throughout the trial.

In the wake of the verdict last December, Sen. Maria Cantwell of Washington (Knox’s home state) promised to get Secretary of State Hillary Clinton to extradite the young American home from Italy (Clinton has said she will not intervene), and Donald Trump has even boycotted Italy and its products.

Amazingly, even the deeply respected Massei Report is coming in for ridicule. Raffaele Sollecito and all of his family and team being of course Italian, this very strident anti-Italianism (actually much disliked by the State Department) is severely hurting Sollecito and his family in the public eye in Italy.

All of this is made worse by the fact that Sollecito’s lead lawyer, Giulia Bongiorno, is a prominent member of the Italian Parliament, and she has her own image and popularity to worry about.  Last year, halfway through the trial, it looked like she was getting ready to walk.

2) Possible separating legal strategies from the first appeal in November onward

The movie could paint Sollecito in a bad light or misrepresent him in some way that could really hurt his chances at appeal.
.
Remember Sollecito separated himself from Amanda Knox in all of his alibis after his first alibi. He STILL has it that she was out of the apartment on the night for four hours while he was on the computer and so on at home.

We believe Sollecito is pretty solidly tied to the crime in the Massei Sentencing Report.

But he had less motive than Knox - he barely knew Meredith - and he could now come to claim that he was only drawn in by Knox during the clean-up. The claim could be that only Guede and Knox killed Meredith, and he was not present in the house at that point.

This difference between Knox and Sollecito is a minefield for any film makers. Slander and libel suits might really fly if they seem to get it wrong - and not least of course from Prosecutor Giuliano Mignini if he is misrepresented.

*************

In other developments and non-developments, there is still no word from Seattle - from the Knox family or her supporters or the Seattle media - on whether Amanda Knox’s family had a role in creating this movie. 

Even if the Seattle media sit on their hands on this one (so what’s new?!) Curt Knox and Edda Mellas will be heading for Perugia soon, for Amanda Knox’s slander trial and for their own, and will presumably be asked all about it.

Not least, of course, by Amanda’s own lawyers.


Thursday, September 23, 2010

Entertainment Industry Buzz That Curt Knox And Edda Mellas Might Be Connected To Distasteful Movie

Posted by Peter Quennell



[joint images of Panetierre and Knox posted yesterday by Huffington Post]

We’ve heard buzz from a couple of sources in NYC that Amanda Knox’s parents might have had a hand in this Lifetime movie of Amanda Knox which is being raced into production.

One remarked that it was “informed speculation” and that some proof could be on its way to leaking out. Reports like this below in the Chicago Sun-Times that Hayden Panettiere has already visited Amanda Knox in Capanne Prison help to fuel the speculation. It seems very unlikely that she would have gained such access, if she did, without Knox’s parents assisting.

Former “Heroes’’ star Hayden Panettiere has visited Amanda Knox in prison in Italy - part of her preparation to play Knox in a TV movie.

Also fueling the speculation is the deafening silence of Amanda Knox’s family and friends in Seattle, in the face of the various Perugia lawyers’ very strong protests about the movie (see the post below) which we presume was genuine, and not simply blowing smoke in an orchestrated sort of way.

One problem with any movie that Curt Knox and Edda Mellas do not tightly control is the reports that are already out there (including in two of the books) of extreme family friction before and after the divorce - Amanda was not much more than a toddler at the time of the divorce.

Narcissistic sociopathy and narcissistic psychopathy, which psychologists have speculated Amanda might to some degree have (tests done on her in prison during the hearings were not released. but they helped sway a judge to not grant house arrest or bail), can apparently be triggered by early childhood trauma.

Another problem for Curt Knox and Edda Mellas if they do not control the film is the reports of Amanda’s quirky behavior over the years, which continued at the University of Washington and also in Perugia. It was most especially noticeable in the three days after Meredith’s murder, as her sentencing report points out, and again when she was on the witness stand in June 2009. And she has admitted to using drugs - in fact, she used that as a part of her defence.

And another problem is the sheer depraved cruelty of the crime, chillingly described in the Micheli and Massei Reports.

Filming is now said to start next month, although the point of that is not obvious if it is not to be aired before the second appeal, as the Perugia defence lawyers have said they will insist on. On how long that second appeal might take, our poster Cesare Beccaria points out that it could drag on for years.

Appeals should be faster, but not necessarily.  In Italy the problem would be in Cassazione (3rd instance on law) where they can send the trial back to appeal for even a small procedural error. The case could go back and forth from appeal to Cassazione for years. Only Cassazione can confirm the verdict.

Media reports on the movie have all seemed to us pretty cool toward it. They have included phrases such as “all 3 convicted for murder, sexual assault, and obstructing justice”, “killer”, “convicted murderer” and so on. Only one used the inaccurate term “accused”. 

Comments posted under online reports on the movie seem to have been very strongly pro-Meredith and her family, after the compelling outcry from her mother in London, and often strongly anti Amanda Knox, who seems to command almost no online sympathy or support any more.

None of Hayden Panettiere’s fans seem too thrilled. .In fact nobody who is a friend or fan of Hayden Panettiere seems to be speaking up to say this is a great career move for her, and at least some think she is being used - being duped - to misleadingly influence public opinion and maybe the court.

Finally, here is part of the description in Wikipedia of Lifetime Television which is certainly one of the most controversial cable TV channels in the United States for its incessant focus on one or other victim - which, in the case of the present film, may very well NOT be portrayed as poor Meredith.

Because of the obvious feminine slant to the network’s programming, Lifetime is often jokingly referred to as The Estrogen Channel, or “Wifetime” and many criticize the network’s over-reliance on formulaic made for TV movies, including the “women in jeopardy” or “woman scorned” theme common on films produced by the network, archived product which aired on the major networks in the 1980s and 1990s, and outside producers airing their work on the network.

Other comedy programs have satirized Lifetime’s sometimes sentimental programming. Family Guy once parodied their slogan, making it Lifetime: Television for Idiots, and in an episode had one of the main characters make a Lifetime-like film which oversimplified those themes, along with a film starring Valerie Bertinelli, called “Men are Terrible and Will Hurt You Because This is Lifetime”.

On August 27, 2009, A&E Television Networks, the owner of A&E Network, History and others, acquired Lifetime Entertainment Services. Though the channel is owned by another subsidiary company operated as a joint venture, Lifetime and its networks remain under the co-ownership of The Walt Disney Company and Hearst Corporation, though NBC Universal became partial owner of the Lifetime channels as well since NBCU already was a part owner of A&E Television Networks.

This movie REALLY should have been about the real victim Meredith, as her mother compellingly complained. THAT is normal Lifetime territory, not doing special pleading for her convicted killer. Hayden and writer Wendy Battles, please read up about Meredith, and see if you still feel the same way.

Read this post for example about what a super-high-achiever Meredith really was, and what a huge loss to the world her death is. And read the Massei Sentencing Report (link at top here) on how very, very cruel and depraved this crime against her really was.


[Below, second from left, is said to be Lifetime scriptwriter Wendy Battles]

Posted by Peter Quennell on 09/23/10 at 02:29 PM • Permalink for this post • Archived in Various hypothesesNews media & moviesMovies on caseKnox-Marriott PRComments here (11)

Tuesday, September 21, 2010

Could Movie Depicting The Real Knox And The Real Meredith Be A PR And Defense Disaster?

Posted by Peter Quennell


Already one movie is in the works. That one will be based on Barbie Nadeau’s excellent little book Angel Face: The True Story of Student Killer Amanda Knox

That British movie is likely to stay pretty close to the truth, Meredith as the real angel, and Amanda as at least in some degree the scary opposite. Barbie Nadeau seems to be in no doubt that Amanda was fairly convicted, but she also seems to think maybe there were factors going back to Amanda’s childhood (as did Paul Russell and Graham Johnson in Darkness Descending) that could have kinda set Amanda up, and could have been prevented by parents who cared.

Now we have this new made-for-TV movie (post below) by the Lifetime cable channel (with Oxygen, it has the largest ratio of women viewers) which for now at least is starring the popular actress Hayden Panettiere.

In 2003 the beautiful South African actress Charlize Theron (images above) who had previously played super-cool and super-sexy roles, played the Florida serial killer Aileen Wuomos in the movie Monster. If anything, Charlize Theron played Aileen Wuomos as more scary than she really was - and Charlize Theron won an Oscar for the portrayal.   

Kathy Bates, Russell Crowe and Nicole Kidman also did very well playing roles strongly against type, along with quite a few others. An actor’s dream, to pull this one off.

Could Lifetime and Hayden Panettiere now have in mind a movie rather like Monster? Playing Amanda Knox as she really seems to be - only more-so?

This has already struck the Knox and Sollecito defense teams as not only possible but a real danger. One that could influence her first appeal late this November, and help to sink her second appeal late in 2011.

From today’s Italian Libero News website.

Lawyers for Amanda Knox and Rafael Sollecito announce a battle with the script of a film for television on the personal life and trial of the two young adults convicted in the first degree for the murder of Meredith Kercher.

Maria Del Grosso, a lawyer who works with the criminal lawyers Amanda Luciano Ghirga and Carlo Dalla Vedova, reached by telephone by Adnkronos, called the idea “at least inappropriate…. you can not think about making a film when the case is judicially still open…. when you remove all this tension, we can work better on the appeals.”

The same opinion was expressed by Luca Maori, Sollecito Raffaele’s defender with Ms Giulia Bongiorno, who said to AGI “I am absolutely opposed to a movie when the appeal process, expected to be long, has not yet even started.”

“It is unthinkable” added Giulia Bongiorno “to make a film when there is still an open case uncrystallized in truth. If the movie comes out before the end of the process of appeals, we will ask for its seizure,” said the lawyer.

Well, Amanda Knox’s parents and their PR manager David Marriott did want to push Amanda Knox out into the hard limelight, too sanitized to ever successfully pass the giggle test in the long run.

Now they and Knox’s (and Sollecito’s) long-suffering Perugia lawyers may be facing the first of a series of swings the other way.


Gullible, Callous, Or Simply Out For The Money? A Good Reporter Should Ask Her

Posted by The Editor


In fact, please ask actress Hayden Panettiere if she even knows the name of the victim? Does she even know that there WAS a victim?

Click above for the Daily Mail’s report. Meredith’s family are understandably deeply upset, and this decision to play an apparent charming psychopath convincingly convicted of a VERY cruel crime hardly bodes well for Panettiere’s career.

The family of murdered student Meredith Kercher yesterday criticised plans to turn her death into a Hollywood film. The movie will focus on Amanda Knox, the American student jailed for 26 years for the killing.

Actress Hayden Panettiere, best known as the cheerleader in the TV series Heroes, has been cast as “˜Foxy Knoxy’ in the film, called The Amanda Knox Story, which is due for release next year.

The Kerchers’ lawyer Francesco Maresca said the family was unhappy that a Hollywood version of the 2007 murder is being made.  He said: “˜It is inopportune as the trial is still on going with two further appeals.’

Miss Kercher’s mother Arline said it was insulting for the film to be named after her daughter’s killer. She said: “˜I don’t see how they can make a film called The Amanda Knox Story when the story is really all about my daughter. It’s all very odd.’ A spokesman for the Knox family said they had no knowledge of the film, which is being aimed at a U.S. audience.

It will focus on events leading up to Miss Kercher’s death in November 2007 and the subsequent lengthy trial of Knox….

Producers of the film,which is being made for TV, said the Foxy Knoxy story was perfect movie material as it featured an “˜all-American’ girl at the centre of a murder involving sex and drugs.

The script for the Lifetime channel in the U.S. is being written by Wendy Battles, who has penned episodes of CSI New York and the crime show Law and Order.

The 21-year-old is one of the most sought-after young actresses in Hollywood.

An all-American girl? How much do they really know about her? Drug habits and all?  Readers can discuss with fans and Hayden Panettiere’s managers on her forum on the popular and influential IMDB board.

At least one gushing fan there simply can’t wait for the movie.

Posted by The Editor on 09/21/10 at 02:11 AM • Permalink for this post • Archived in Various hypothesesMovies on caseComments here (13)

Wednesday, November 11, 2009

The Best Meredith-Case Documentary Ever - One Intensely Compassionate To Meredith

Posted by Nicki


As many here know, I am an Italian-American who lives and works in Milan in northern Italy and who follows the case closely in Italian.

On TJMK here I have posted repeatedly on the DNA dimension and on the public perceptions in Italy of Meredith, Amanda Knox, and the campaign.

A week ago today, those public perceptions sharpened very noticeably.

One of the three largest national TV networks here, LA7, broadcast a one-hour documentary on the case. This was months in the making, the most costly production to date, and compelling for the depth and objectivity of the reporting.

And absolutely compelling for its extreme compassion toward Meredith, a loved and revered figure in Italy, for whom the cruel and untimely nature of her passing has led to a lot of outrage and sadness. 

If there were any dry eyes among the very large Italian viewership of LA7 by the end of the broadcast, it would be quite surprising.

The production’s power to move comes from its placing of Meredith right at the beginning (her church and her chaplain), repeatedly in the middle (people in England who knew her, including one who was with her in Perugia) and right at the end, where there is a scene in the cemetery where Meredith was buried of almost transcendental beauty and sadness.

The documentary (so far) is only watchable online in Italian, with Italian voice-overs of the many interviews that were carried out in English in the UK and in Seattle. 

The arguments of the Knox supporters in Part One came across as tired, weak, clutching at straws, playing on emotions, and avoiding hard facts, and well-informed Italian viewers probably tuned out the droning and confused Ann Bremner. Sympathy shown for Meredith and her family was around zero.

In sharp contrast, the Croydon and Leeds segments on Meredith in both parts, especially the second with the deeply-hurting Samantha Rodenhurst, sounded new, fresh, authentic, interesting, and very moving, and would have had Italian viewers transfixed. And Charles Mudede in Seattle was extremely effective in puncturing FOA hype.

For those with no Italian, which seems to be the huge majority of our readership, we have posted below a large number of still images from the broadcast, to convey the ground that was covered in Italy, the United States, and England..

The producers were largely guided, we believe, by the Italy-based American journalist Andrea Vogt, who appears several times to give effective commentary and who is credited at the end.

There is nothing really new on Amanda Knox, who herself does not feature very prominently, and virtually nothing at all on Raffaele Sollecito or Rudy Guede.

New in the Italy segments is an interview with the prosecutor, Mr Mignini, who observes that the FOA’s claims about the true strength of the case are simply flat-out wrong. He notes that they are not based on a thorough knowledge of the evidence presented or of the Italian judicial system.

New in the America segments are interviews with four University of Washington students, only one of whom thinks Amanda Knox is innocent and then with no great conviction. Interviews with two of Amanda Knox’s teachers at Seattle Prep, who found her to be pretty normal at the time. And highly insightful commentary by the Seattle journalist Charles Mudede.

And new in the England segment are interviews with Meredith’s chaplain at her former school, who also conducted her funeral service, and with Kirsty Whalley, a reporter for the Croydon Guardian. Also with a Croydon caféteria owner who served Meredith many meals of cheeseburgers and chips, and with four students at the University of Leeds, who were keen to see the thing over and properly reported upon so the Kercher family could perhaps find some peace.

Perhaps most moving of all were the many short segments with Samantha Rodenhurst. Samantha and Meredith became very close friends in the few weeks they were together in Perugia, and Samantha was one of the girls Meredith shared a pizza with on a bed, watching the movie The Notebook, before Meredith headed home to her final cruel fate.

We will later add some translations to the three posts directly below. [Many are now added.] The overwhelming sentiment of the program seems to me this: May Meredith finally rest in peace now, and her family be given respite from the Knox hype of the cruel campaign.

I doubt that many Italians feel any differently. Amanda Knox herself and the campaign have ensured that.

Posted by Nicki on 11/11/09 at 04:44 AM • Permalink for this post • Archived in Various hypothesesExcellent reportingMovies on caseComments here (16)

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