Cool well-argued Huffington Post IReport article by Selene Nelson on why angry bigots with personal issues refuse to address the real case, and why they are too cowardly and incompetent to tackle police and prosecutors closer to home on real injustices, preferring the defaming of foreign civil servants and a foreign victim's family who have no easy way to answer back.

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Saturday, December 01, 2012

Knox Defense Utters A Rather Hypocritical Whine About Lifetime TV Movie Airing In Italy Monday

Posted by Peter Quennell


Breaking news from Italy on the “legal threat” to the Lifetime movie airing tonight. Mediaset is the Italian agent for Lifetime here. From the Mediaset website our main poster Jools translated this: 

**************

MEDIASET: NO FORMAL NOTICE OR PETITIONS

“Mediaset has not received neither formal notice or petitions” from the lawyers of Amada Knox on the airing of the film of the same name. The company in Cologno Monzese [Milan] explains: “Mediaset has only received a letter with an invitation from the lawyers requesting to transmit the film in accordance with the requirements of the law. Which is something Mediaset does with every program that goes on air”.

**************

Good grief. Are the Knox-Mellases paying good legal fees for this wimpish note?! Or is their PR/media effort as so often blowing smoke to hide the hard truth that they have yet again over-reached?

Sympathy for Amanda Knox seems in total meltdown these days.

Unlikely to turn around soon. The very ugly campaign run by Curt Knox’s hatchet men and the hyper-aggressive book we’re apparently promised next April seem to demonstrate a disastrous tin ear.

Knox has had almost a full year to do the patently obvious: get out in front of some TV cameras, and explain once and for all to everybody interested in truth and justice what really happened between her and Meredith in the house. She has had several years to answer the hundreds of open questions reflected on this site which she still ignores.

Kindly translated by our main poster Jools, this is the flailing Knox defense lawyers’ complaint about the airing on Italian TV of the Lifetime movie this next Monday.

Perugia- A formal legal notice not to air on Monday the film based on the murder of Meredith Kercher was sent to Mediaset [Lifetime] by Amanda Knox’s lawyers Carlo Dalla Vedova and Luciano Ghirga. The Seattle young woman’s name and surname forms part of the title of the fiction scheduled for evening prime time on Channel 5 on Monday December 3.

“There is an ongoing process” said Ghirga “and therefore we believe it is inappropriate to be aired”. “I do not like the film” meanwhile Knox said from the USA to her lawyer. In the United States in fact “Amanda Knox Murder on Trial in Italy” was aired often around a year ago, and the Seattle student has already seen it. “She asks us” said her lawyer Ghirga “to do what we can so it is not aired in Italy”. And furthermore, concludes the lawyer ironically “I don’t like the actor who plays me”.

Knox was convicted in the first instance with her former boyfriend Raffaele Sollecito for the Kercher murder, but they were both later acquitted on appeal and are now awaiting the decision in March 2013 from the Supreme Court on the appeal brought by the Prosecutor General of Perugia and the Kercher family.

Our Italian lawyers note that the EXACT SAME ARGUMENTS could be applied to the manipulative, innaccurate piece of fiction Honor Bound put out a few weeks ago by Raffaele Sollecito.

As that book parrots many of the spurious, puerile claims made by Curt Knox’s hatchet men, they seem to have had a major hand in it. But the Sollecito and Knox lawyers have issued NO complaint about that book - even though Sollecito’s own father admitted it is defamatory of the prosecution.

If there is a real difference between the legal implications of the Lifetime movie and the Sollecito book, we’d like to know what it is. Lifetime lawyers, please take note.

Posted on 12/01/12 at 05:53 AM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Thursday, November 29, 2012

Knox Depicter Hayden Panetierre Shows Real Talent As Country Singer On A Critically Praised New Show

Posted by Peter Quennell



Okay, we were pretty skeptical of actress Hayden Panettierre’s talent and motives prior to the Liftetime cable TV channel airing their Knox TV movie early in 2011.

But as Panetierre depicted Amanda Knox as impetuous, jealous, vague and narcissistic (quite possibly because of this) we generally concluded that the depiction was not a million miles from the truth. The Knox and Sollecito families had conniptions and filed suits, though they seem to have quietly gone away.

Now Panetierre co-stars in a new TV show Nashville on ABC which began last month, where her mesmerizing presence as a hustling young country singer seems to be the most compelling new thing on TV.

Interesting how those who take sides with Knox so often go down, while those who side more with Meredith so often go up.

Posted on 11/29/12 at 06:09 AM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Friday, January 06, 2012

Knox Movie Offer Is Sharply Withdrawn; Hardly Helpful to Knox Book Agent Robert Barnett

Posted by Peter Quennell





There have always been several huge problems in the promotion of Amanda Knox.

One problem is that Knox is not the real victim in the case and a great deal of compassion still resides for Meredith. Earning windfall blood money from the cruel death of a claimed close friend is hardly a classy way to go. 

A second problem is that we are still only at the end of the second act of a three act play in terms of the trials and appeals, and the Italian Supreme Court in the third act to come will almost certainly be no gullible pushover. And a whining or inaccurate book or movie demonising Italy and Italians (as her complaints about Capanne already have done) might not help her legal prospects one little bit. 

A third problem is that Italy’s officialdom and its population tend to maintain a hard and unblinking belief in the evidence against Sollecito and Knox, especially as the million dollar PR campaign largely flew below the radar there and they saw much of the hard case and a callous Knox live on TV. For example in Florence and Milan.

A fourth problem is that Amanda Knox and her personal life and her trials and time in Capanne are likely to be a low-viewership yawn. Our main poster Lauowolf did a great job last October of pointing this out.

Does her story have the makings of a Hollywood blockbuster?  Probably not.

For one thing, the producer types would have to know that the case is still live.  The public won’t be keeping track of that, or at best will be considering it a case of the prosecutor continuing to seek revenge.

But people looking to invest millions of dollars in movies tend to go into all the fine print. And the looming third trial in 2011 is just the kind of complication they are likely to want to avoid.  And there’s just too much inconvenient information floating around about the story.

Finally, there really isn’t that much “there” there with Amanda Knox herself.  What would her storyline be, anyway, and who does it appeal to? 

  • Is it the story of the young lovers, AK and RS?  Nah, AK and RS are not going to complete the story arc for them, so no drama-romance. And you can’t substitute the Seattle boyfriend, because he’d look like a fool.
  • Is it the story of Edda, getting her daughter back, a la Not Without My Daughter?  Nah, Amanda is getting a bit old for that storyline to work. The PR played out this line in Amanda’s absence, so that it is already stale, and besides, the target audience is wrong.  The Lifetime movie worked that thread, and it didn’t really do all that well.
  • Is it a story of Amanda suffering, arrested, in prison, on trial?  Nah, there really isn’t much filmic going on there.  Arrested people end up sitting in rooms, and prison is boring.  Even if they wanted to spend a lot of time on AK giving the performance of her life in court, they’d have to deal somehow with the accusations and evidence. And they really, really don’t want to do any of that.
  • Is it the story of Amanda herself?  Nah, the PR has reduced her to such a little painted doll that there isn’t anything to be done with her.  Seriously, weekly mass and the prison choir? Or hanging out with the middle-aged married Italian political type? Who wants to watch a movie of that?  They’ve set her up as a frail, pale victim, and it is difficult to create an entire movie focusing on someone being done to, rather than doing.

Now there is a FIFTH problem looming large.

The up-and-coming movie producer Chad Verdi (left above) has just announced that he has withdrawn a million dollar offer for a Knox movie, implying that he may have been misled. This statement is likely to chill the prospects for any other.

Rhode Island Producer Chad A. Verdi has withdrawn his official offer of One Million Dollars (U.S. $1,000,000) for Amanda Knox’s life rights. The film was to be produced by Mr. Verdi and Noah Kraft if a deal could have been reached. The offer was made through Verdi Productions and was being handled by Hollywood entertainment attorney, Anita First.

Mr. Verdi, the President and CEO of Verdi Productions (VP), stated, “After reviewing all the information we had involving the Knox case, I have decided it was not the inspirational feel good story that VP was looking for and we have withdrawn our offer.”

Very well done, Mr Verdi. That is an act of some class.

The prominent and respected Washington lawyer and book agent Robert Barnett (right above) was seemingly roped in by Knox PR chief David Marriott a month ago to work miracles for Knox in the field of book publishing.

Robert Barnett seems to have made no public statement about it as yet.  Seemingly Mr Barnett and all those other supposed eager book agents did not exactly come looking for a deal.

If you read how the Washington Post describes it, the deal was very much promoted by a frenetic Marriott.

“He has a very strong resume,” said Knox family spokesman Dave Marriott, who announced the deal Monday…

Why Barnett? His name “popped up in conversations with many people,” Marriott told us. Though he doesn’t call himself a literary agent, Barnett knows his way around seven-figure deals (he’s also repped James Patterson, Mary Higgins Clark, Rosie O’Donnell and Barbra Streisand) — and the Knox family liked the fact that he’s a lawyer with a powerful firm behind him.

Another plus: He’s arguably a bargain, charging a hefty hourly fee instead of the standard 15 percent commission. He was hired after flying to Seattle and meeting with the Knox family.

A bargain? Hmmm. Perhaps Mr Barnett is at this very moment reading the same judges’ reports and the other in-depth materials that have turned off Mr Verdi, and wondering whether he was snowed. 

Or reviewing his hourly fee.

Posted on 01/06/12 at 11:57 AM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Thursday, October 13, 2011

Long Lines For Any Amanda Knox Movie? Unlikely - Too Much PR Legacy Taints Her Brand

Posted by lauowolf





I’ve been thinking about the concept of the “blockbuster” movie, and the general marketing and all.

The problem is, as has been pointed out, that the PR to date has packaged the product of weeping Edda and her martyred innocent child. There are side excursions into the honor student, the young lovers, and the evil Italians.

And these have been attractive images to the public, providing an easy script for followers. The family was pretty good at staying on script - we’ve all marveled at their ability to seemingly lie themselves blue in order to keep the official story straight.

I won’t say it worked, because I don’t believe the PR effected the outcome of the trial. What it did do was finance itself, Knox’s lawyers, and a lot of travel by her family, as well as turn Knox herself into a closely-watched oddity and tabloid fodder for the rest of her life.

Edda terming the media “a curse” is rich indeed, since without the families’ deliberate choice to go down this road, the whole trial have been an obscure local matter, and with a verdict either way Knox could have held her head up high .

What the PR project has left behind it is another meaningless media hype, up for grabs. Amanda Knox _________ [your product name here].

Knox’s slander conviction and three-year prison term seriously stains things, and limits the options. As does the huge and poisonous ongoing campaign to flame the growing number who think that Meredith has been ill-served. .

It is difficult for them to celebrate the Italian court for getting it right and releasing her, and still argue at the same time that they are Italian and medieval and found “poor her” guilty of slandering an innocent black man.

Especially since that part of things is pretty open and shut.

Besides, even arguing about it opens the door to the rest of what she said in that confession, and they certainly do no want people thinking about her admitting to being at the cottage. The less said of that the better.

So. Does her story have the makings of a Hollywood blockbuster?  Probably not.

For one thing, the producer types would have to know that the case is still live.  The public won’t be keeping track of that, or at best will be considering it a case of the prosecutor continuing to seek revenge.

But people looking to invest millions of dollars in movies tend to go into all the fine print.

And the looming third trial in 2011 is just the kind of complication they are likely to want to avoid. 

And there’s just too much inconvenient information floating around about the story.

Finally, there really isn’t that much “there” there with Amanda Knox herself.  What would her storyline be, anyway, and who does it appeal to? 

  • Is it the story of the young lovers, AK and RS?  Nah, AK and RS are not going to complete the story arc for them, so no drama-romance. And you can’t substitute the Seattle boyfriend, because he’d look like a fool.
  • Is it the story of Edda, getting her daughter back, a la Not Without My Daughter?  Nah, Amanda is getting a bit old for that storyline to work. The PR played out this line in Amanda’s absence, so that it is already stale, and besides, the target audience is wrong.  The Lifetime movie worked that thread, and it didn’t really do all that well.
  • Is it a story of Amanda suffering, arrested, in prison, on trial?  Nah, there really isn’t much filmic going on there.  Arrested people end up sitting in rooms, and prison is boring.  Even if they wanted to spend a lot of time on AK giving the performance of her life in court, they’d have to deal somehow with the accusations and evidence. And they really, really don’t want to do any of that.
  • Is it the story of Amanda herself?  Nah, the PR has reduced her to such a little painted doll that there isn’t anything to be done with her.  Seriously, weekly mass and the prison choir? Or hanging out with the middle-aged married Italian political type? Who wants to watch a movie of that?  They’ve set her up as a frail, pale victim, and it is difficult to create an entire movie focusing on someone being done to, rather than doing.

You can see how they wrestled with the Amanda problem in the works already made or being discussed.  The Lifetime movie revolved, emotionally, around Edda’s suffering. The other movie idea that was floated was to feature a reporter-detective (Colin Firth) who uncovers a conspiracy or something in Perugia. 

In both of these, Amanda herself is only a McGuffin, an excuse for other people’s emoting, or detecting.

Unless they wanted to portray the REAL Amanda, warts and all? I do think there could be quite a compelling portrayal of the initial behavior, the lying, the family tensions, her downward arc in Perugia, and the final unbelievable acquittal. 

Hitchcock could do it - think of Marnie, or Vertigo.

But I can’t see Amanda or her families cooperating with such a project.  No, the cashing in will have to be the interviews (QUICKLY) and a book project.  They’ll shop around for the best advance and slap something together fast. 

But dont expect the movieplexes to be overwhelmed.

Posted on 10/13/11 at 10:43 AM by lauowolf. Click screenname for a list of all main posts, at top left.
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Thursday, March 24, 2011

The Civil Case Of Knox v Lifetime - Umbria 24 TV Video Of Arrivals Today At The Courthouse

Posted by Peter Quennell


Amanda Knox is the supplicant here but you’d be hard-pressed to know it.

Unfortunately there’s no video or images of the team for Lifetime the alleged wrongdoers in this case, who seem to be keeping well out of sight.

There are reports in English here and here and here. Ann Wise of ABC notes that YouTube has removed the video of the movie’s trailer.

Posted on 03/24/11 at 06:40 PM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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The Civil Case Of Knox v Lifetime Will Be Considered By The Perugia Courts On July 4

Posted by Peter Quennell


On July 4? Big day in America. Seems today’s judge has a sense of humor.

The closed hearing in civil court in Perugia was brief, and there are just a couple of media images of Knox looking rather dispirited.  The Italian media have not yet identified who are Lifetime’s legal representation or whether they were in court.

Knox’s lawyer Carlo Dalla Vedova said his client wants the Lifetime TV movie withdrawn. He claimed that the movie had already been viewed 687,000 times on Lifetime’s website from all over the world, and that there is a version with Italian subtitles.

He said the movie could do irreparable harm to the prospects of his client. Amanda Knox in her statement said: “I am shocked at this invasion of my life and the speculations made about myself… I was very disturbed at the images in the trailer I saw on TV.”

The Knox and Sollecito suits were all actually filed before the movie itself had ever aired. No specific scenes were complained about today in court, and as the movie for the most part adheres to Massei, with some artistic license, it will be interesting to find out precisely which scenes are the bad ones.

The movie appeared to give Knox at least one big break in public eyes by making the provisional finding of an HIV test seem highly malicious though the facts don’t support this.

Sollecito appears in the movie much more briefly than Knox, and his most dramatic scene is where he throws one of Knox’s various alibis under the bus. Otherwise he comes across like a pussy.

His legal team has also said they were filing suit against Lifetime both in Perugia and in New York. No sign yet of those filings.




Posted on 03/24/11 at 11:21 AM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Wednesday, March 23, 2011

Amanda Knox To Be In Court In Perugia Tomorrow In Hearing About Stopping The Lifetime TV Film

Posted by Peter Quennell



[Above: Lifetime TV has an office suite in this giant hitech building which Google is presently purchasing]

Past posts on this mixed bag of a TV movie can be found here.

Late February Amanda Knox’s lawyers filed suit in Perugia to stop the airing of the movie (so far aired maybe half a dozen times in the US) and Raffaele’s Sollecito’s lawyers filed suit in Perugia and (or so they say - we can find no court record) also in New York.

The Perugia judge at the first hearing took a pretty relaxed view of the urgency of the matter and so it is only now that legal teams for Lifetime and Amanda Knox will face one another in court. The suit claims that the movie “violates the reputation” of Amanda Knox.

Very substantial payment for damages has been requested. If the New York suit also proceeds (unlikely as US law is not exactly favorable) the total asked appears to amount, converted from Euros, to over two hundred million dollars to compensate for sullied reputations.

Today’s Italian media reports in ANSA and AGI dont say very much more than that, except that Amanda Knox would like to be present in court.

As this is not Sollecito’s team’s suit, this is about the first time that one appellant will appear in court without the other. No word at all yet on the constitution of Lifetime’s legal team.

Posted on 03/23/11 at 10:19 AM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Wednesday, March 02, 2011

Lifetime Movie Included A Serious Wrong Charge Of Deliberate HIV Leak Which Was In Fact A Hoax

Posted by Michael



Above and below: images from the two misleading scenes

The Movie Advances The HIV & Sex Partners Hoax

The Lifetime movie nicely depicted Meredith and Mignini, and was not tough on Knox, though it seemed to leave many viewers sensing the possibility of guilt.

However, there were some seriously wrong scenes in the Lifetime movie, and also in the following Lifetime documentary. Two advanced the HIV sex partners hoax.

In a first long and emotional scene, the film depicted Amanda Knox being told by the doctor at Capanne that in a routine test she tested positive for HIV. It implied the test was a form of pressure. It showed Knox being told she should write down a list of her previous partners.

In a second long and emotional scene, the film depicted a confrontation between an angry Amanda and the doctor when he told her she was all clear. And thereafter the sex partners list was leaked by the prosecution.

These implied criminal actions on the part of the Capanne Prison medical staff and the prosecutors, and may have aroused a lot of false sympathy for Amanda Knox.

Reality: The Routine HIV Test And First Results

Lifetime depicted Amanda Knox being told by the doctor at Capanne that she tested positive for HIV. It implied the test was unusual.

But on her admittance to Capanne Prison, Knox was simply routinely tested for HIV and some other possible conditions, as all prisoners are for their own good.

When the first result came back the doctor told Amanda that the first result of the test was probably a false positive.  She shouldn’t worry, and another test would be run. Her diary reads:

Last night before I went to bed I was taken down to see yet another doctor who I haven’t yet met before. He had my results from a test they took—which says I’m positive for HIV.

First of all the guy told me not to worry, it could be a mistake, they’re going to take a second test next week….

Reality: Knox Herself Creates Sex Partners List

Lifetime claimed Amanda Knox was told to write down her list of partners by the doctor.

But in Amanda Knox’s own words, you can read how it went down: She chose herself to create the sex partners list. The doctor never instructed Amanda to write out that list. Her diary reads:

Thirdly, I don’t know where I could have got HIV from. Here is the list of people I’ve had sex with in Italy general:...

Reality: There Was No Angry Confrontation

The film depicts a yelling, pointing Knox who has to be restrained.

The doctor merely conveyed the news of a negative results and Knox cheerfully went off. He had no ill intent, she did not get angry, and no accusations were made.

Reality: The Prosecutors Never Leaked That List.

Lifetime implied that Knox’s diary with the list of partners was leaked by the prosecutors to the public.

We know this to be false. We know that it was instead Amanda Knox’s own lawyers that leaked the diary with the sex partners list (to journalists like Barbie Nadeau).

And that the family effort leaked it to people like Frank Sforza (who duly published Amanda’s diary page on the previous sexual partners), and Candace Dempsey, and even tried to leak it to us!

Reality: Knox Forces All Know HIV Story Is Untrue

Amanda’ Knoxs family know the truth of this, but have not yet come out and corrected a seriously wrong pervasive impression.

And Lifetime repeated the lie of the sex partners list, leading millions to believe the ILE deliberately terrified, tricked and humiliated Amanda Knox.

But they didn’t. Even Amanda Knox herself showed it was not so. 


Above and below: the first partly imaginary scene




Above and below: the first partly imaginary scene




Below: the second very misleading scene




Below: the second very misleading scene

Posted on 03/02/11 at 06:06 PM by Michael. Click screenname for a list of all main posts, at top left.
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Monday, February 21, 2011

Italian Media Reporting Injunction And 100 Million Euro Suit Filed In NYC By Sollecito Defense Team

Posted by Peter Quennell


This above is the United States District Court for the Southern District of New York at 500 Pearl Street in downtown.

It is adjacent to the Borough of Manhattan Federal Supreme Court for which we posted an image previously. Italian media including the newspaper Il Giorno are reporting from New York that an injunction request to stop tonight’s showing of the Lifetime film has now been filed at this court by Sollecito’s defense team, with a request that damages for 100 million Euros (about $137 million) be awarded if Lifetime proceed tonight with the airing.

Most of Il Giorno’s long article describes scenes which may or may not be true and damaging and the possible effects on the appeal of Raffaele Sollecito, which has been showing some hints that it may depart from the appeal grounds of Amanda Knox - which to some extent, on the matter of alibis, it already has.

The Lifetime producer Craig Piligian has already spoken out that the film script followed the official record closely (especially the Massei report) and concludes with the verdict and various questions left open. 

We should have more on this later today. We doubt that a Federal judge will grant an injunction to stop the airing of the movie, but not much in this case has proved predictable.
 

Posted on 02/21/11 at 10:35 AM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Andrea Vogt In New York Post Finds Lifetime Movie Fairish Though Hurtful To Kerchers And Ill-Timed

Posted by Peter Quennell


Andrea Vogt reminds us that the legal process is very exhaustive, very balanced and far from complete.

Also that Mr. Mignini is a reasonable person, that an extraordinary number of careful judges have been a party to the process, and that US State Department have monitored the case and not seen any reason to try to intervene - though it is doubtful they could have any influence over the judiciary.

During filming in Rome last fall, the Knox chattering classes speculated whether it would favor “innocentisti or colpevolisti” (the innocents or guilty). As the first clips emerged, everyone was upset. Producers clearly took factual liberties (in real life, Amanda and Raffaele didn’t attend the memorial vigil for Meredith, but in the film they do, for example).

But the communal outrage is nothing new. All the parties agree: it is inappropriate to air this film before completion of appeal. Knox was convicted of murder and sentenced in an Italian court based on the scenario of all three being involved, as described in the judge’s ruling. Lifetime attempted to re-enact this in their own way…

That said, the US State Department has been monitoring the case as more than two dozen judges have considered the evidence and determined (to varying degrees) that Knox was involved…

Unfortunately this case exists in a cultural time warp where fiction races ahead of fact. In the US, everything happens too fast; a film is thrown together in months. In Italy, everything happens too slow: a case can take seven years to get to the Supreme Court. The final judicial decision about who murdered Ms. Kercher and how is still years away.

Posted on 02/21/11 at 08:29 AM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Sunday, February 20, 2011

NY Post Review : Amanda Knox Movie “Offers Almost No Reason To Believe She Was Not Involved”

Posted by Peter Quennell


The Massei Report in English (link above) has been downloaded from PMF and TJMK over 20,000 times now - and finally its full force seems to be hitting home.

This factual and accurate review by New York Post critic Sean Daly is one of several we have already seen which doesn’t incline the preview critic toward Amanda Knox’s non-involvement or innocence. Some excerpts:

As portrayed by the seriously adorable Hayden Panettiere (“Heroes”), Knox, currently serving a 26-year sentence for killing her roommate, Meredith Kercher, is portrayed as a drug-abusing honors student who flaunted her sexuality and mysteriously showed little emotion after the brutal murder…

Details of the Massei Report were discussed openly among the cast and crew during the 23-day shoot near Rome last fall. “Basically we argued every day about whether she was innocent or guilty,” says Marcia Gay Harden, who plays Knox’s mother, Edda Mellas…

The film depicts the Seattle native as almost unaffected by the grizzly killing — and more concerned with shopping for lingerie than mourning a lost friend. “I was physically ill when I saw [clips on TV],” Knox, 23, told her stepfather Chris Mellas in a phone call from Capanne prison. “I thought I was going to throw up.”

Perhaps she couldn’t stomach the graphic images of Kercher laying on a bedroom floor with her throat slit, coughing up blood.

Another scene shows “Foxy Knoxy” perched on boyfriend Raffaele Sollecito’s lap, kissing in an Italian police station while Kercher’s grief-stricken friends sob. Moments later, the couple, who were both convicted of the slaying, along with Rudy Guede, are shown smoking pot before a sexy romp in bed…

Despite [executive producer Trevor] Walton’s insistence that facts were presented “as impartially as possible,” the movie shows Knox in various reenactments of the crime, and offers almost no reason to believe she was not involved.

Posted on 02/20/11 at 08:57 PM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Wednesday, February 16, 2011

The Daily Beast’s Barbie Nadeau Weighs The Pros And Cons Of The Lifetime Movie

Posted by Peter Quennell



[Above: Lifetime TV has an office suite in this giant hitech building which Google is presently purchasing]

We doubt if we are going to rate this film very highly. Already there are critical reviews.

And the Massei report shows overwhelming guilt, the grounds for appeal are slim indeed, and the Supreme Court of Cassation has ALREADY accepted that all three were part of the attack.

Barbie Nadeau’s report upon seeing a preview seems to confirm that the film will at least in part blow smoke and mislead the viewing audience by failing to convey those hard facts.

The movie does a commendable job slaloming between guilt and innocence as it stitches together known details of a very complicated case. It doesn’t shy away from controversial facts like how Knox accused Patrick Lumumba of the murder, or just how tough the Perugian police were on the 20-year-old American during her interrogations…. Lifetime lands squarely on the side of reasonable doubt when it comes to Knox’s conviction, but the network also does a fair job showing just why the jury in Perugia found her guilty.

Reasonable doubt? In fact that is a term that applies only to juries who were present in the courtroom the whole time, and in this case the guilty verdict was already unanimous. They had no reasonable doubt.

Sadly, John and Arline Kercher’s worst fears about the movie dwelling upon the graphic violence done to Meredith seem fully justified.

Indeed, the movie features globs of often-gratuitous violence around their daughter’s tragic death. Sure, it is a TV dramatization bent on ratings about a now-legendary murder, but the CSI-style black-and-white autopsy shots and a disturbing scene where Guede watches Meredith choking on her own blood are unsettling, even for those of us who have covered this case from day one. It’s one thing to see the crime scene video and hear testimony about how it might have happened, but it’s quite another to watch someone act it out in gruesome detail.

There seems to be little mention of the million-dollar public relations campaign that has so misled the public, and none at all of the inflammatory anti-prosecution anti-Italy bias of much of the UK and US media. 

Not all is bad. Mr Mignini and his team are shown as “smart, capable investigators caught up in a terribly complicated crime….”. The Knox family are portrayed as “even-tempered and wholly genuine in support of their daughter”. Hayden Pantierre does “an admirable job playing the quirky Seattle native.”

But Amanda Knox herself apparently comes across as vague and someone who “could have simply been in the wrong place doing the wrong things at the wrong time.” We have already remarked in a previous post “We will be curious to see if Lifetime somehow depicts what a sad drug-driven slide into dependency and desperation the seemingly not-quite-right Amanda Knox appeared to be embarked on.”

However Meredith is said to be infectiously played, by Cambridge University graduate Amanda Fernando Stevens (image below), who we believe really did give the classy depiction of Meredith all she could.

Fortunately, Lifetime also focuses a fair amount of attention on Meredith, painting a portrait of a bright and beautiful young woman who was far more serious than her American roommate, but who had an infectious sense of humor and enviable charm. That careful attention to her charisma makes her murder all the more tragic.


Posted on 02/16/11 at 07:16 PM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Saturday, February 12, 2011

Sollecito Defense Team Breaking From Knox Defense Team On Legal Measures To Stop Lifetime Movie

Posted by Peter Quennell


The Amanda Knox team of Ghirga and Delle Vedova were ready to stop by legal means the showing of the Lifetime movie in Italy.

We presume they were only willing to go that far and no further because there are various signs that Edda Mellas and Curt Knox had a hand in the generation of this movie - not least that they have never denied it or decried it. Chris Mellas confirmed that they were helping out in his candid announcements that he tried to get Panettiere face to face in Capanne with Amanda Knox.

But there is already a huge separation between the Knox and the Sollecito defense teams - Giulia Bongiorno and Luca Maori (image above) have no liking at all for the runaway train of xenophobic conspiracy theorists.

And of course Raffaele Sollecito STILL does not confirm Amanda Knox’s attempted fifth alibi for the night that she was at his place all along.

We have already warned that the fact of this movie could make things very much worse for Amanda Knox.

Now it looks like this is happening. Giulia Bongiorno and Luca Maori want the movie delayed worldwide on the basis that it could SERIOUSLY damage their client’s prospects. 

The large Italian news service ADNKronos is now reporting that if Lifetime do not confirm by this next Monday that the movie is to be held back until after the appeals are over, they will file suit in New York Federal court in Manhattan (image below).

If there is a Federal court session on this, we should be able to report from the front lines, hopefully with some shots, on the Lifetime producers trying to defend their bizarre movie.

Looking forward.


Posted on 02/12/11 at 11:22 AM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Friday, February 11, 2011

Perhaps Heeding Meredith Family Pleas And Our Open Letter Lifetime Claim Movie Now Less Shrill

Posted by Peter Quennell


If we are reading this somewhat cagey explanation by Lifetime executive producer Craig Piligian correctly, the scenes with Meredith have almost disappeared.

Lifetime is set to premiere the movie on February 21, but the channel has slightly altered their marketing in response to criticism from both Knox’s lawyers and the family of victim Meredith Kercher.

The channel recently removed the original teaser-trailer for the movie, which stars Hayden Panettiere as Knox, from its website and YouTube, and today replaced it with a new, slightly edited version.

The new promo no longer includes scenes depicting Kercher being assaulted, which caused a stir in the U.K., where she is from, and which her father called “absolutely horrific.”

If this is true then we have to thank you, Lifetime, for a kind gesture that matters a great deal to Meredith’s family and her many supporters worldwide.

Mr Piligian says the movie will air in the US starting 21 February and the UK and some other markets, but no longer in Italy.

Insiders also confirm that Amanda Knox will not air in Italy due to legal reasons, because Knox’s case is ongoing. Knox’s lawyers had sent a letter to Lifetime, asking the network to pull the clips down, arguing that the movie’s depictions might jeopardize her chance of a fair trial. A Lifetime spokesman confirmed that the network received the letter, but beyond that, they have not commented on the controversy.

We also presume that Lifetime had no wish to pin a calunnia target on their own backs,  as the Italian police and investigators and prosecutors may have quietly warned them. 

The producers and cast continue to make some rather loopy claims about how controversial the evidence actually is.

“This is a factual drama and we feel we did a very fair and balanced telling of the story, crafting a script from court records and other public documents,” executive producer Craig Piligian tells TV Guide Magazine.

“At the end of the movie people will be wondering whether she really did or didn’t do the things she’s accused of,” he says. “We weren’t leaning one way or another, but took a very even, fact-based approach, which ultimately allows the viewers to make their own decision.”

Amanda Knox is simply accused? Actually she already was unanimously convicted. The Supreme Court of Cassation has already accepted that all three were party to the attack.

Certainly the conviction is not final until Cassation confirms it (probably by late summer 2012) but that existing Cassation position really means it is all but game over. And Capanne Prison continues of course to be Amanda Knox’s home.

But the auspices behind the movie say they’ve made sure not to take sides in the debate over Knox’s guilt or innocence… Piligian said he screened the movie internally to his staff, and even in-house there’s no consensus on whether or not Knox was involved in the crimes. “Everyone’s divided, and the viewing public will likely be divided as well… That’s what makes this such a great story.”

No consensus? Try again. Read the voluminous evidence rather than simply watching a hedging semi-fictional film

We are finding that maybe 98 out of every 100 bright people who read the Massei report and the Micheli summaries do not have the slightest difficulty seeing that the case has been made and the first verdict a fair one.

We will watch the Lifetime movie for sure on 21 February.

We will be curious to see if Lifetime somehow depicts what a sad drug-driven slide into dependency and desperation the seemingly not-quite-right Amanda Knox appeared to be embarked on.

What a deservedly friendless, obsessive and bizarre person the heavy drug user Raffaele Sollecito seemed to be, despite all his deeply concerned father’s best efforts, in real life.

And what an exceptional fast-track student with an amazing future already mapped out the real victim, Meredith, really was.  We believe Lifetime may have picked up some strong vibes of that.

Posted on 02/11/11 at 12:02 PM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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Wednesday, February 09, 2011

On The Effects On Amanda Knox Of Her Movie Alter Ego Hayden Panettiere

Posted by Hopeful


An ABC News headline: “Amanda Knox Felt Ill When She Saw Herself Portrayed in New Movie”

Nikki Battiste.states that Knox was tearful in her weekly phone call home after having seen the trailer of the movie on prison TV news. Chris Mellas quoted her, “I was physically ill when I saw the images. I thought I was going to throw up.”

This reaction seems to spring from the strange feeling Knox had when seeing “a girl who looked like her, dressed like her, playing her life.” Mellas explains her frustration at having no control over her life or how her life is portrayed.

Perhaps this seeing herself through objective eyes is shaking up her fragile sense of identity. She explored that theme in her appeal speech, all too fully for the occasion. She’s not “that girl” painted by the prosecution.

Maybe in this movie she is reminded of all the glories that were lost seeing the colors and happy scenes of bouncing carefree Hayden/herself flitting around Perugia at the university that she so loved; and the love scene with Raffaele, the picturesque architecture of Perugia with the film’s golden lighting, even her long hair as Hayden wears wig, treasured times of joy.

This film renews those days of wine and roses, however brief, and it must be horrifying to have traded all that freedom for the current reality.

Nikki Battiste reports, “Her family said she is not aware of the magnitude of the press surrounding her life, and that she avoids watching television and reading newspapers.”

That sounds inaccurate or blatantly false, because she faces a jungle of reporters and cameras each time she enters the courtroom and her family has been in constant contact with her for three years giving ample time to discuss how she is perceived, the press they are surrounded with.

She has probably been informed of every bit of the internet interest in her case, both pro and con. We know this because she refers to the media coverage of her reputation in her appeal speech. Her access to newspapers in prison is no doubt limited, but overall she must surely be apprised of the hubbub about her trial. So her being “not aware” is a total exaggeration, so too perhaps is her reported reaction.

If she sees the movie as veering from the truth of what happened the night of the murder, her reaction may be mixed: grateful that the real details are not known but fearful that even the false rendition makes a case for guilt, and wondering what effect this may have on her appeal, if any.

Case of sowing and reaping here?

She may be bearing the brunt of lies in this movie after having told so many herself. She may be a great deal more envious of Hayden Panettiere than she ever was of Meredith, and resent this lovely actress’s freedom to vicariously take over her life and her sufferings while getting famous and paid for it.

It’s like two actresses vying for a juicy role and one losing out to the other, the loser being Foxy, ironically she being the authentic character and born to play the role. She may hate to lose her claim to fame and the spotlight to Hayden.

She may envy Hayden’s looks and charisma, and feel she has been overshadowed once again, beaten at her own game. It’s hard to imagine how conflicted this movie must make Amanda feel. If she knows her family has received financial benefits from it with some trickle down benefits to herself, that may be some consolation.

Identity confusion from seeing oneself portrayed by another is a powerful mirror held up to the self even if one is innocent. If one is not very self-aware to begin with, seeing oneself caricatured or portrayed by another like a game of charades could make a person feel unbalanced and discombobulated.

Amanda is fortunate to have plenty of quiet time without media frenzy or court dates so she can process this dramatic development.

It’s equally possible that her tears and nausea are an act equal to Hayden’s, initiated by her shrewd instinct. They could be a falsehood concocted by her family to camouflage the fact that she’s secretly revelling in every minute of increased notoriety. She may be silently thanking Hayden for promoting her status on TV.

For that matter it might not be mutually exclusive, this love of the limelight once again, but anger that she has been cut out as scriptwriter. The issue she has with “no control over her life…how her life is portrayed” does sound rather like the bitter tears of a wounded egomaniac.

Posted on 02/09/11 at 11:28 AM by Hopeful. Click screenname for a list of all main posts, at top left.
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Friday, February 04, 2011

Open Letter To Everyone Remotely Involved In Lifetime’s Crass Enterprise “Murder on Trial in Italy”

Posted by Peggy Ganong


Video version and all co-signatories of the letter below

The parents of Meredith Kercher are not the only ones who are appalled and saddened by the making of the soon-to-be aired Lifetime movie “version” of their daughter’s brutal murder, which occurred in 2007 while she was an Erasmus scholar in Italy. Though we cannot begin to truly imagine the depth of their ongoing pain, we can certainly empathize with them. And we can share their outrage at the very idea of showing graphic footage that purports to depict “what happened” to their beloved daughter. That John Kercher, Meredith’s father, was led to believe otherwise just makes matters worse.

At the risk of creating yet more publicity – which could ultimately play into the hands of the producers and others associated with this telefilm, commissioned by and scheduled to air on the US cable channel Lifetime – we wish to condemn, in the strongest possible terms, everyone who has played a role in bringing this crass enterprise to fruition. The film is not just premature and untimely – though it is indeed both, since two of the three unanimously convicted in December 2009 for their role in Meredith’s death are currently awaiting the first of two appeals, which are automatic in Italy – it is also just plain wrong. And it will continue to be so in ten, twenty or thirty years’ time.

What possible justification could there ever be for inflicting this kind of pain on the real-life, grieving family of Meredith Kercher? Does it enhance our understanding of this heinous crime in any way? No, it does not. Does it serve to dissuade others from engaging in such acts? No, it does not. On the contrary, it breeds the kind of callous disregard for human life and lack of empathy that led to this gratuitous act of violence in the first place and that apparently characterizes those who have produced, directed and otherwise participated in the project.

In some respects, the damage is done as far as Meredith’s family are concerned. The footage is out there thanks to the efficiency of the World Wide Web. Now, there are two ways to bring partial reparation and maybe a little consolation to the Kercher family: one is to immediately remove all of the offensive footage from the internet, as John Kercher has politely requested. The other is to simply refrain from watching the film when it is broadcast on the Lifetime channel. Use the time to let the people at Lifetime know that you are unhappy with their lack of basic decency and fellow feeling, and that you plan to impose a personal ban in your house on the channel. There is a third way, but only the people at Lifetime can bring it about: that is to quietly but quickly pull the film from its line-up.

Just over three years ago, Meredith Kercher was a living, breathing, joyous young woman. She was also, and still is, someone’s daughter, someone’s sister, someone’s friend and someone’s neighbour. From what we have heard, she brought joy to all who knew her. None of these people deserve the gratuitous pain and suffering that this film and this footage will surely produce. Adding insult to injury, the film apparently focuses in particular on one of the three convicted killers, contributing indirectly to the well-financed and well-orchestrated PR effort intended to garner sympathy for and turn her into a “minor celebrity.” We wonder why, if Amanda Knox’s family and friends are opposed to this celebrity status and tabloidization, they did not do more from the outset to nip this project in the bud. The world knows by now that they have easy and apparently unlimited access to the media. Why have they not used just a few minutes of this access to let it be known that they think Lifetime should scrap the project? Why have they not threatened a lawsuit, claiming that until all appeals are exhausted this kind of film could turn the jury against Amanda Knox?

Like Arline Kercher, Meredith’s mum, we wonder why only the name “Amanda Knox” appears in the title of the film when the victim is named Meredith Kercher. And finally, we wonder why, if Amanda Knox’s family and friends are unassociated with this project, as they claim to be, they are being given an hour of airtime directly following its scheduled showing?


By Peggy Ganong, Seattle

Cosignatories with more to come

Neville Sprigg, England

Dr. Kathy Graham, B.C. Canada

Jane Blakelock Ohio

Claire Bennett, Bristol, UK.

Ann-Marie Thornton, Turkey

Rich Towle, California, USA

Neil Kazwell, St. Louis, MO

Cathy Armer, Boston MA

Nick Kitto, Barcelona, Spain

Mara Loughridge, Florida, USA

Dr. Craig Gerard, Boston, Massachusetts

David Llewellyn Smith, Scotland

Lola Kassim, Cheshire, England

John Crawford, Kent, England

Kevin Mackintosh, Va, USA

Barbara Taylor, Ohio, USA

Sylviane Pompei, France

Andrew James, Germany

Doug Clement, Portland

Samantha Andrews, Derbyshire UK

Patrick Critien, Sliema, Malta

Janet Chapman,Sheffield UK

Theo Stobbe, The Netherlands

Renate Lauditsch, Austria

Laura Watkins, Berkeley, California

Rachel Ross, California, USA

Dr Rosemarie Levine New York, NY

Miriam Bell Khounsary, Seattle

Robert Harrison Kingston-Upon-Hull UK

Amy Revell, United States

Julia Perez, southern Spain

Beth Zaring, Wellston, Ohio

Martha Shamp, Auburn Alabam

Stanley Champ.Garryhinch, Ireland

Heather Good, Whatcom County, WA, US

Katherine Phillips, Barry, Wales

Kris Arnason, Seattle US

Maria Fifield, Buxton, Derbyshire

Simon Gardner Oxford UK

Peter Quennell New York

 

Posted on 02/04/11 at 04:58 PM by Peggy Ganong. Click screenname for a list of all main posts, at top left.
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Thursday, February 03, 2011

Lifetime TV Appear To Have Lied And Invented False Facts For Their Horrific Knox TV Movie

Posted by Peter Quennell



These are all of our previous posts on this hapless film, which defense lawyers had said they might sue to be put on ice until after the appeals are all done.

There seems to be growing outrage in the media (read the many angry comments down below there) over what seems the sensational promotion and the offensive and misleading content of the film.

The film was made in Milan and Rome and it is due to air in the US on Monday 21 February, and thereafter in various other countries around the world. .This is the film that both Arline Kercher and John Kercher had spoken out very strongly against. It appears from the trailer and the still images to contain various manufactured scenes seemingly designed to enhance Knox.

1) This scene at the top certainly did NOT take place,  as Sollecito and Knox bizarrely chose to go for a pizza rather than join the grieving crowd at the memorial service for Meredith.

Among all who knew Meredith who were still in Perugia, they were the ONLY ones to refuse to attend. Neither Knox nor Sollecito have ever shown genuine sympathy for Meredith or for her family and friends.

2) This scene idepicts Meredith in an amorous position on top of Rudy Guede. This did NOT take place. Neither the Micheli court NOR Guede’s two appeal courts NOR the Massei court accepted that. Four courts rejected it as a lie and a defamation of the victim.

If Meredith were still alive, this would certainly be defamatory. Meredith had a headache that night and was tired after staying out most of the night before (Halloween), and she intended to finish a homework assignment and go to bed. She already had a boyfriend that she liked, and unlike Knox had zero history of sleeping around.

3) Lifetime told Meredith’s father John and many others in a public statement (they have never ever been in touch with the family quietly and directly) that the film would NOT depict the crime against Meredith, regardless of what angle Lifetime took toward Knox. The timeline would stop short of that.

And yet this scene show Meredith being savagely attacked by three people - exactly what Meredith’s family had feared most.

Right after the movie, Lifetime will apparently give the Knox-Mellases a full hour to sell their usual self-serving fabrications and half-truths. 

And meanwhile, still not one word from Lifetime for the family of the real victim. Lifetime is a smallish network with a mostly elderly female demographic, and it mostly focuses with varying sympathy on women who have been hurt or killed. The REAL victims.

So what happened here?

Posted on 02/03/11 at 06:48 PM by Peter Quennell. Click screenname for a list of all main posts, at top left.
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